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CREOLE BELLE
Copyright, 1900, by The Lampe Music Co.
Transferred 1901 to The Whitney Warner Pub. Co., Detroit, Mich.
Words by (Jeorge Sidney. Music by J. Bodewalt Lampe.
All coons are prancin' singin' and dancin' go wild with glee,
I'm as happy as happy can be, fill my heart with ecstacy ; ... .
All over the nation, a celebration surely will be, V.;
f ,- 'Cause married I'se gion' to be, to my Creole Belle.
CaoRrs.
My Creole Belle, I love her well, around my heart she has cast a .spell ;
Wnen stars do shine, 1 call her mine, my dusky baby, my Creole Belle.
See them rehearsin', for this rejoicin', that's going to be.
At the weddin' 'tween baby and me, oh, my what a jamboree ;
Congratulations and presentations, is to be made.
Wine, beer and lemonade, at this weddin' will be.
The parson tied the knot and said, yon both just been made one ;
It was a sight to see, those coons all cheerin' me ;
Mv heart never knew such joy, this moment of my life, -
When the parson said to me, the Creole Belle's your wife.
Jack-O-Lantern Man
Copyright, 1901, by The Whitney Warner Pub. Co., Detroit Mich.
Words and Music by " The Honey Boy," George Evans.
There's a creature who am trav'ling 'round at night,
Bt-ware, beware, beware,
If you meet him you will get an awful fright.
Take care, take care, take care ;
Whene'er he noes aronnd he never seems to make a sound,
When he catches you he takes you by the hair,
He doenn't let you go, but soon you'll find you know,
Dat you are in the clutches of the Jack-O-Lantern Man,
I>at you are in the clutches of the Jack-O-Lantern Man.
;.' '■ ::\:' \ .'■'■'/■::''■'■■:'■- Chorts. -■•■•/■■•:■■,;-■ -\^
Oh, de Jack -O Lantern Man, oh, de Jack-O-Lantern Man,
Run home lit tie pick-a-iiinny he's gwine to catch you if he can ;
Oh, de Jack-O-Lantern Man, oh, de Jack O-Iiantern Man.
Lie low, or off you're gwine to go, to de cabii. of de Jack-O-Lantern Man.
If you've been a naughty girl or boy to-c'ay, ...
Beware, beware, beware,
And he finds you he will take you far away,
Take care, take care, take care;
He'll put you in a pumpkin shell and plant you in de ground.
Your mammy's face you never more wilLscan,
When summer comes, you know, to a pumpkin you will grow,
Because you're in the clutches of the .Tack-O- Lantern Man,
Because you're in the clutches of the Jack-O-Lantern Man.
M7 FAIR? COOXT
Copyright, 1901, by The Whitney Warner Pub. Co., Detroit, Mich.
Words and Music by Thos. Chilvers.
Oh, honey I am here, a-standing very near.
And patiently I'm lingering and awaiting, waiting.
To see those dreamy eyes, I'd walk clear to the skies,
To tell you all the love that I've been thinking, thinking,
8o sleep no more to-night, don't close your eyes so tight,
For I wants you love to listen to my wooing, wooing,
So come out here to me, and happy will we be.
Just like two turtle doves we'll be a-cooing.
Chorits.
Cause you're my fairy coon, true as the Ptars above.
And waiting out in de light of the moon,
I sing this serenade, to you my lady love.
So listen to me my fairy coon. '
The moon's pale silv'ry light with stars that twinkle bright.
All seem to say that you are only needed, needed.
To make this night, so fair, a dream beyond compare.
And bow'r of love with you a queen conceeded, ceeded,
: 8o rouse thy drowsy eyes, the liKht of which I prize.
For the vi.sion of you honey I am waiting, waiting.
To have you by my side, thro' woodlet pathes we'll glide,
Just like two nightingales we'll be a-waiting.
WHEN I QAZE INTO YOUR EYES
Copyright, 1901. by The Whitney Warner Pub. Co., Detroit, Mich.
Words and Music by Thos. H. Chilvers.
When I gaze into your eyes, my love.
And press your lips to mine so t*?nderly,
I wonder, when afar and in distant lands I roam.
If you'll remember and be true to me;
I cannot doubt you when I'm by your side.
The spell you cast upon me seems devine.
And like some rare old wine, it sets my blood aflame,
When I gaze into your eyes and press your lips to mine.
Chorus.
\ When I gaae into your eyes, and press your lips to mine, •
'-. It seems just "like a dream, and you're a fairy queen:
' WUl your love be always true, as true as mine for you?
.; 'When I gaze into your eyes and press your lips to mine,
■• Gaze into your eyes and press your lips to mine. ; ..
■' When I gaze into your eyes, my love,
.■ AJid press your lips to mine so tenderly,
• * ; It Meeda but just a glance to bring me at your feet, .■.;!.-'•
■'".': And prove to you my very constancy . ■
• ,-;.•; Yoar lips seem like the rosebuds jnst burst forth,
■" . , The handiwork of cnjiids fair design,
niat lures me to n>y fate, a victim t<» his craft.
When I gaze into your eyes and press your lips to mine.
Dear Little Cenevie'^e
Copyright. 1901, by The Whitney Warner Pub. Co., Detroit, Mich.
Words and Music by Harold Z. Frankensteen.
Where waters flow so peacefully, where shady nooks abotuid.
Where singing birds and perfumed flowers, and natures art is fotmdl« •
In the heart of all this sunshine, so pretty to conceive. ';,.
Dwells the sweetest of the flowers, little Ghjnevieve. ■ .- ;;-''* :'v-
Reprain.
Dear little Genevieve, you I would never leave, tell me you do believe;
I'll love you, will you my heart relieve, for you know I would grieve,
If me you would deceive, dear little Genevieve. '
No sunshine brighter than her smile, no stars her eyes outshine, %>
Her tender heart and modest ways, make her appear devine ;
A lady to the manor born, she never would deceive, ..... r .■ - ■ -v
Fairy queen of hauty mien is little Genevieve. ■ ••'"•■'' •■■ - '
If I Only Had a Ddllah of My Own
Copyright, 1900, by The Whitney Warner Pub. Co., Detroit, Mich.
Words and Music by Bogert &: O'Brien. " ;
I've been thinking of late of my most i)eculiar fate, •■" >"
I haven't got a place to lay my head.
Most ev'rything am cheap, but money's hard to reap,
I couldn't buy a single loaf of bread.
I'm always forced to hide, it hurts my blue grass pride,
From morning until night I weep and moan.
t r I wouldn't feel so blue, and I'd know just what to do.
If I only had a doUah of my own.
^ Chorus.
If I only had a doUah of my own, I wouldn't feel so gloomy while alone.
My mind would feel at a perfect ease, say what I like and act as I please,
I'd feel just like a king upon a throne ;
I hope good fortune will some future day, f row a little money in my way,
I'd buy a gun, a butcher knife, protect it with my very life,
If I only had a dollah of my own.
This coon would surely eat every kind of tender meat
Like possom, rabbit and a turtle stew.
Of course I'd have mince pie, some quail on toast I'd buy, ^"
Spring chicken, turkey, sweet potatoes too;
For breakfast have wheat cakes, I'd go to all clam bakes, '
Just stuff myself until I'd fairly groan,
I might try some roast lamb, but I'd ignore common ham.
If I only had a dollah of my own.
Chorus.
If I only had a dollah of my own, I'd never care for either house or home,
I'd feel as big as a millionaire, buy everything and go everywhere,
In every foreign land I'd surely roam,
I'd soon forget all troubles of the past, always happy while my money
I'd lead a life most fast and gay, I'd never sleep by night or day, [last*
If I only had a dollah of my own.
I'd gamble all the while in a reg'lar gambling style.
They'd have to invent some new games for me,
I'd bust that game called craps and faro hank perhaps.
Den I would smash that game called policy.
I'd wear de loudest clothes, tan shoes and fancy hose.
Just to give my appearance sportin' tone,
I know I would go wild, I'd act foolish as a child.
If I only had a dollah of my own.
Chorus.
If I only had a dollah of my own, I'd build a sailors' and a soldiers' home,
I'd spend my gold in a lavish way, give money to the poor every day.
My name would be the greatest ever known ;
I'd surely have the latest horseless cab, everything a-layin' loose I'd grab,
Dis great suspense I can't endure, I know the shock will kill me sure.
If I only had a dollah of my own.
LINA LEE
Copyright. 1900, by The Whitney Warner Pub. Co.. Detroit, Mich.
Written and Composed by Jas. O'Dea & Theo. H. Korthrap.
Where tall palmettos cast their shade beneath a tropic sky.
Half hidden by the cane and corn where southern breezes sigh.
There stands the little home of one I long once more to se«.
The sweetest flower that ever bloomed in all this world is she.
The last good-bye she bade me there, beneath the milky way.
Still lingers in my mind as tho' 'twere given yesterday.
Clear and bright ev'ry night in my dreams I gaze
Upon her dear sweet face the while I sing my lady's praise.
Refrain.
^ , She is my Lina Lee throughout Dixie to the sea
There's none that's finer than lovely Lina ;
No other maid I know can one half her beauty show,
She is my southern queen, my lovely, lovely Lina Lee.
. She asked me when I started north to sometimes think of her.
And in my thinking plant, since then, that's all that does occtir;
There's something always telling me her heart is ever true,
She is the subject of my ev'ry night and day dream too.
To sip these tender kisses that not even wine excels,
I'll soon be roamin' back again to where my Lina dwells.
Where the breeze through the trees sing so low and sweet.
It's there beside her in her smiles my life will be complete.
The Words and Music of any song on this page will 'be sent to iBgr
address by The Whitney Warner Pub. Co.. Detroit, Mich., owners «C
copyright, on receipt of 25 cents.
Send direct to Wehman Bros., 126 Park
Row, New York, for all Books or Novelties
advertised in any catalogue or Song Book
■<
' •■^■■^^,r^'^■J\^iffi.
-m 0 ROARING JOKES FOR FUNNY FOLKS. ^ ^
" A man stole a harness the other day and never left a trace." " ' .
Most things go to the buyer ; but coal goes to the cellar.
" 1 wish I were secretary of the navy. I wouldn't be secretary, long."
" Every time I get on a ferryboat it makes me cross.
" Don't run off with more than you can carry. " »•
A man fell in a barrel of whiskey but died in good spirits. .
"What iM-ats a good wife?" *
"A bad liusband."
" You should think of the future."
" I can't. It's my wife's birthday and I'm thinkin' of the present."
"Do you belong to any secret society?"*
"Yes. The gas company."
" I hear your brother died and left a lot of mon*'y? "
" Yes. A policeman shot him before he got out of the bank with it.
" Did you win anything at the cockflght? "
" No. I lost on a fowl. '
" A cross-eyed man was arrested for burglary. He was found to lie
Straight, although he looked crooked."
" My girl'-* father is an undertaker. He has invented an automobile
hearse. Folks are just dying to ride in it."
" Were you bashful the first time yon called on a girl? "
"Yes, but her father helped me oiit."
A friend of mine saw a sign on a grocer's window which read : " Fam-
ilies Supplied," and h«' went in and asked for a wife and three children.
" 1 heard vour kid bawling last night."
" Yes, and after five bawls he got his base warmed."
*' I know a man who .says he can't sit down and he can't stand up."
" Well, if he tells the truth, he lies."
A painter, who fell off a scaffold with a pot of paint in each hand said:
" well, I came down with flying colors, anyhow. '
" If yon are in doubt about kissing a girl what do yon do? "
" Give her the beniflt of the doubt."
" I saw a pretty girl on the lawn with her stockings on wrong .side
out, so 1 turned the hose on her."
Whenever I see a woman with a Mother Hubbard on, I feel like giving
her a belt.
" Speaking of playing poker, the other day I wt-nt down cellar and
saw a cat and two mice. In half a minute everything was in the kitty."
" Where did yon get that hair on your coat? "
" From the head of the bed."
" Do v«u think the elevator boy stole your watch? "
" Well, he swore up and down that he didn't."
Wanted — Man to make a balloon ascension. One who nevnr took a
drop beforr.
•' Is undressed kid good material for slipp«>rs? "
■ "Youl)et."
"I was walking along Fourteenth street the other day and picked up
a nickel. I went a block further and found a saloon."
" Are your folks well to do? " . •
"No. Th»'y're hard to do. '
" I hear you keep a list of all the lianks in the country."
"Yes. I like to be able to say I keep a bank account."
She-" Why don't you water your horse? "
He— " 1 doii't liave to. He's a bay."
"I saw a sign in a hardware store today: 'Ca."t iron sinks.' As
though everyone wasn't wise to that."
Boy wante<l to run elevator in high building. Must be a goo<l story
teller
" What iH-came of that girl you made love to in the hammock? "
'• We fell out."
" Did it takt' you long to learn to set a mousetrap? "
•■ Not after I "got my hand in."
"What were von carrying that shutter around for?"
"Just for u l)lind."
" I am married and I've got thre*? children for certificates. And ne.Tt
July I'm going to celebrate the fourth."
" I would like to obtain the files of your pajx^r for a week back."
" Why don't you try a porous plaster.'
" My mother was born in Ireland, my father was born in San Fran-
' Cisco and I was l)orn in Nt-w York."
" Funny how you all got together wasn't itT"
" Have vou been eating oranges? "
••No. tV^hy?"
" I see the skin all over your face."
" I heard you were held up the other night and robbed of a diamond
ring. Why'didn't yon call a policeman?"
"I was afraid I'd lose my watch."
Ethel told Nan that she had a cat that could jump as high as Btinker
Hill monument, and when Nan looked incrt-flulous Ethel said: "Well,
how high can Bunker Hill monument jump? "
j" I suppose Barnum went to heaven when he died."
'•'Well, he certainly had a good cliance. In fact he had the great«*st
show on earth."
' The Drummers Latest : Funni«-st Stories Ever Told." Price 2.1 cents
Address all ortU-rs direct to Wehman Bros.. 136 Park Row, New York.
What dm's a fat woman do when she goes into a theatre on i^ hot
summer night? Takes off her bat and panta.
].
The way mv brother got out of jail was this: The govenor visited
the_ jail «Mie day and my brother accidently stepped on his foot. He
Pardon me, govenor," and the govenor did. i . .
said:
" My sister had a fright yesterday. She had a black spider nm up
her arm."
" That's nothing. I had a sewing maching run up the seam of my
pants." I
A little girl was taught to close her evening prayer during the absence
of her papa with: '• Plea,se watch over my papa." Her papa returned
and her mamma l)lu.she<l when the child added: "And you'd Hotter keep
an eye on mamma, too."
A man wont into a .Tew clothing store and tried on a coat and vest.
While the Jew turne<l his l)ac-k to get the trousers, the man ran out of
the store. A p«)li<;eman came by and pulled his pistol. The Jew called
out excitedly : " Shoot him in the pants. The coat and vest is mine."
A lK>y stood on the corner of Fourteenth street and Fourth avenue,
industriously s<!ratching his head, when a gentleman, who was passing,
said to him; " Picking 'em out, sonny?" " No, sir," replied the boy, "I
takes 'em just as I finds 'em."
" At a German picnic if one man gets e.xcited and calls another a liar,
the friends of the two get aroun<l, some one orders beer and the two
men shake hands and join in a song. At an Irish picnic if one man calls
another a liar, that's vour cue to climb a trt^. There's no glass of beer
ever goin' to square that." . . , ,
" Did yon ever notice the differance between a German picnic and an
Irish picnic? The Germans meet at the hall and march right out to the
picnic. Do the Irish do that? Not on your life! They've got to march
around town about three hours. Every man in the procession wants tu
pass his own house. .
" I saw a man yesterday with a " deaf and dumb " sign on. So I gave
him a nickle. He said: " Thank you. " I said, I thought you were deaf
and dumb. " Oh," he said, " I'm only minding this place till the other
fellow comes back." Well, where is the other fellow, I asked. "Oh,
he's over in the beer garden listening to the music."
A lady was walking along Market street, in San Francisco, Holding a
little girl by the hand, who showed all the symptoms of having a flea on
her somewhere. A newsboy rushed up and exclaimed "Examiner'
Examiner!" "I'll wait till I get home, I gue.ss," said the lady, refle<'
tively.
At the last town meeting some one wanted an appropriation of flO.Om
made to build a new .school-honse. I. says: •* No. We'll take the briclc<
from tho <»ld .school-house and we'll build the new schoolhon.se witli
tliem. And well leave the old school-hotise stand 'till the new one i.s
finished.
A man nrrestffl for murder bril>ed an Irishman on the jury with a
hundred dollars to hangout for a verdict of manslaughter. The jury
were out a long lime anil finally came in with a verdict of inans1an;;ht)'r
The man rushed up to the Irish juror and said : '• I'm oblieed to you un-
friend. Did you have a hard time?" "Yes," said the Irisliman.
h — 11 of a time. The other eleven wanted to acquit you."
•A
Casey and Riley agreed to settle their dispute hv n fight, and it was
uiiderstrKKl that whoever want«<«l to quit should say. " enough." Cinev
got liiley down and was hammering him nnnuTi-ifully, when Riley
called out st^veral times, "enough!" As Casey paid no attention, but
kei>t on administrating puni.shment, a bvstander said : •• Why don't you
let him up? Don't you hear him say that he's got enough?" •' 1 do,"
says Ca.sey, " but he's such a liar, y<m can't l>elieve him."
There is a well known saloon in Brooklyn which h.is three entraufes.
Casey enters and the bartender refu.ses to serve him Ixtcanse he is in-
toxicated. After an argnm«'nt Casey leaves the saloon and soon dis
covers the w'cfmd entrance. He goes in and looks at the bartender with
considerable surprise and again calls for a drink and is again refus.^!
He leaves, but soon conies back through the third entrance. He walks
up to the bar unsteadily, and looking the bartender in the face sjiys dis-
gustedly ; " kJayl do you own all the saloons in town?"
I went intr) a bakerv the other day and ordere<l 200 cream puffs. Tlie
baker said he would nave them for me in almut an hour. Then I went
across the stre«'t to a clothing store and s«'lect«>d a suit of clothes price
|.tO. I asked the man if he would trust me for the suit and he refu-.ed.
I said: "Do you know the baker across the street?" He said : "Yes."
I saitl: "Will you let me have the suit if he stands good for it?" He
said: "Yes." Well, the baker was standing in front of his store and 1
called out across the street : " How about them 200 you promised me? "
He .<;aid : " In about half an hour." I pointed to the clothing store man
and said, "give him .SO." He nodded and the clothing store man said:
" Come inside and I'll have the suit wrapped up for you.
r -
Nf w Jokes By Old Jokers, Numbers 1 and 2. Price 25 cents efcch.
Ad<l.'ess all orders direct to Wehman Bros., 136 Park Row, New York. '.
Send for a Complete Catalogue of Plays, .Tokes, Recitations, Engineer-
ing, Elictricity, Palmistry, Dream and Fortune Tellers, Letter Writers.
Tricks, Dancing. Bartender. Hypnotism. Cook, and other books.
POPULAR RECITATIONS.
CURFEW MUST NOT RING TO-NICHT.
EiiKUnd's sun was slowly setting o'er the hilLs so far away,
Filline all the land with beauty at the close of one aad day ;
And the last rays kiss'd the forehead of a man and maiden fair,
He with step so slow and weakened, she with sunny, floatini; hair;
H«' with sad bowed head, and thoughtful, she with lips so cold and white,
btruggling to keep back the murmur, " Curfew must not ring to-night."
" Sexton," Bessie's white lips faltered, pointing to the pris6n old,
With it's walls so dark and gloomy— walls so dark and damp and cold—
'• I've a lover in that prison, doomed this very night to die
At the ringing of the Curfew, and no earthly help is nigh.
Cromwell will not come till sunset," and her face grew strangely white,
As she spoke in husky whispers, " Curfew must not ring to-night."
" Bessie," calmly spoke the sexton— every word pierced her young heart
Like a thousand gleaming arrows, like a deadly poisened dart —
*' Long, long years I've rung the Curfew from that gloomy shadowed
Every evening, just at sun.set, it has told the twilight hour ; [tower,
I have done my duty ever, tried to do it just and right.
Now I'm old I will not miss it ; girl, the Curfew rings to-night I "
Wild her eyes and pale her features, stern and white her thoughtful
, And within her heart's deep centre, Bessie made a solemn vow ; [brow,
She had listened while the judges read, without a tear or sigh,
" At the ringing of the Curfew— Basil Underwood MUST die."
And her breath came fast and faster, and her eyes grew large and bright.
One low murmur, scarcely spoken—" Curfew MUST kot ring to-nightl "
She with light step bounded forward, sprang within the old church door,
Left the old man coming slowly paths he'd trod so oft before;
Not one moment paused the maiden, but with cheek and brow aglow.
Staggered up the gloomy tower, where the bell swung to and fro ;
Then she climl)ed the slimy ladder, dark, without one rayjof light.
Upward still, her pale lips saying : " Curfew shall not ring to-night."
She has reached the topmost ladder, o'er her hangs the great dark bell.
And the awful gloom lx*neath her, like the pathway down to hell ;
See, the ponderous tongue is swinging, 'tis the hour of Curfew now.
And the sight has chilled her bosom, stopped her breath and paled her
Shall she let it ring? No, never! her eyes flash with sudden light, [brow.
As she springs and grasps it firmly—" Curfew shall not ring to-night ! "
Out she swung, far out, the city seemed a tiny speck below ;
There, twixt heaven and earth suspende<l, as the bell swung to and fro;
And the half-deaf sexton ringing (years he had not heard the bell).
And he thought the twilight Curfew rang young Basil's funeral knell :
Still the maiden clinging firmly, cheek and brow so pale and white, [night
Stilled her frightened heart's wild beating—" Curfew shall not ring to-
It was o'er— the bell ceased swaying, and the maiden stepped once more
Firmly on the damp old ladder, where for hundred years before
Human foot had not been planted; and what she this night had done
^i.juld be told in long vears after — as the rays of setting sun
Light the sky with mellow beauty, aged sires with heads of white
Tell their children w)iy the Curfew did not ring that one sad night.
O'er the distant hills came Cromwell ; Be.s-sie saw him, and her brow.
Lately while with sickening terror, glows with sudden beauty now;
At his foot she told her story, showed her hands all bruised and torn :
And her sweet you face so haggard, with a look so sad and worn,
Touched his heart with sudden pity— lit his eyes with misty light ;
•■ Go, your lover lives! " cried Cromwell ; Curfew shall not ring to-night.
THE BOOTBLACK.
Here y'are ? Black your boots, bo.ss, do it for jest five cents.
Shine 'em up in a minute— that is 'f nothin' prevents.
Set your foot right on there, sir ; the mornin's kinder cold-
Sorter rough on a feller when his coat's a-gettin' old.
Well, yes— call it coat, sir, though 'tain't much more'n a tear :
Can't get myself another— ain't got the stamps to spare.
Make as much as most on 'em? That's so ; Init then, yer see.
They've only got one to do for; there's two on us. Jack and me.
Him? Why— that little feller with the double-up-sorter back,
Sittin' there on the gratin' sunnin' hisself— that's Jack.
Used to be 'round sellin' papers, the cars there was his lay.
But he got shoved off the platform, vmder the wheels, one day.
Yes. the conductor did it— gave him a regular throw-
He dic^a't care if he killed him ; some on em is just so.
He's never been all right since, sir, sorter quiet and queer—
Him and me go together, he's what they call cashier.
Trouble? I guess not much, sir: sometimes when biz gets slack
I don't know how I'd stand it if 'twa.sn't for little Jack.
Why, boss, you ought to hear him ; h<^ says we needn't care ■
How rough luck is down here, «ir, if some day we get up there.
All done now— how's that, sir? Shine like a pair of lamps.
Mornin' ! — give it to Jack, sir, he looks after the stamps.
THE DYING SOLDIER. T"""^
" Chaplain, I am dying, dying; cut a lock from off my hair.
For my darling mother, chaplain, after I am dead, to wear;
Mmd you, 'tis for mother, chaplain, she whose early teachings now
Soothe and comfort the poor soldier with the death dew on his brow.
" Kneel down, now, beside me, chaplain, and return my thanks to Him
Who so good a mother gave me; oh, my eyes are growing dim ;
Tell her, chaplain, should you see her, all at last with me was well :
Through the valley of the shadow I have gone, with Christ to dwell.
" Do not weep, I pray you, chaplain ; yes, ah ! weep for mother dear ;
I'm the only living son, sir, of a widow'd mourner here ;
Mother! I am going, going to the land where angels dwell:
I commend you unto Jesus : mother darling— fare you well."
Downward from their thrones of beauty look'd the stars upon his face ;
Upward on the wings of duty sped the angel of God's grace.
Bearing through the heavenly portal, to his blessed home above.
The dead soldier's soul immortal, to partake of Christ's sweet love.
Far away, in humble cottage, sits his mother, sad and lone; >.:..■.'
And her eves are red with weeping, thinking of her absent son .
Snddenlv Death's pallid presence cast a shadow o'er her brow ;
Smiling a sweet smile of welcome, she is with her loved ones now.
THE GAMBLER'S WIFE.
■'■•■■■ = ' --■^^' ■: ■■•■'■■■^:-- -. ;A By Coatee. ■; >. /
Dark is the night ! how dark I no light ! no fire ! ''
Cold on the hearth the last faint sparks expire!
Shivering .she watches by the cradle side / .' '
For him who pledged her love— last year a bride!
"Hark! 'tis his footstep! No— 'tis past; 'tis gone; -^
Tick!— tick! How wearily the time crawls on, ' ;
Why should he leave me tnus? He once was kind.
And I believed 'twould last — how inad! how blind!
Ke«t thee, my babe— rest on ! 'Tis hunger's cry I
Sleep, for there is no food, the fount is dry.
Famine and cold their wearying work have done ;
My heart must break! And thou! "-The clock strikes one.
" Hush ! 'tis the dice-box. Yes, he's there, he's there !
For this, for this, he leaves me to despair!
Leaves love, leaves truth, his wife, his child— for what?
The wanton's smile— the villain— and the sot! >
Yet I'll not curse him ; no, 'tis all in vain.
'Tis long to wait, but sure he'll come again ;
And I could starve and bless him, but for you.
My child— HIS child— oh. fiend! "—The clock strikes two.'
" Hark ! how the sign-board creaks, the blast howls by !
Moan— moan ! A dirge swells through the cloudy sky !
Ha! 'tis his knock— he comes — he comes once more — ^. v
'Tis but the lattice flaps. Thy hope is o'er.
Can he desert me thus? He knows I stay - ' •■
Night after night in loneliness to pray ■ . '.
For his return— and yet he sees no tear. '. . "
No, no! it cannot be. He will be here.
Nestle more closely, dear one, to my heart :
Thou'rt cold— thou'rt freezing ; but we will not part.
Husband, I die! Father, it is not he!
Oh, Heaven, protect my child! "—The clock strikes three.
They're gone! they're gone! The glimmering spark hath fled.
The wife and child are number'd with the dead!
On the cold hearth, out-stretched in solemn rest.
The child lies frozen on its mother's breast!
The gambler came at last— but all was o'er— ■ ■•
Dead silence reigned around— he groaned— he spoke no more.
THE CHARGE OF THE LIGHT BRIGADE.
By Alfred Tennyson.
Half a league, half a league, half a league onward.
All in the valley of death, rode the six hundred.
" Forward, the Light Brigade! " " Charge for the guns! " he said.
Into the valley of death rode the six hundred.
" Forward, the Light Brigade! " was there a man dismayed?
Not tho' the .soldiers knew .some one had blundered ;
Theirs not to make reply, theirs not to rea,son why, theirs but U) do and
In the valley of death rode the six hundred. [die.
Cannon to right of them, cannon to left of them.
Cannon in front of them volley'd and thunder'd :
Storm'd at with shot and shell, "boldly they rode and well, into the jaws
Into the mouth of hell rode the six hundred. [of deatli,
Flash'd all their sabres bare, flash'd as they tnrn'd in air, sabring the
Charging an army, while all the world wonder'd : [gunners there.
Plunged in the battery-smoke, right thro' the line they broke;
Cos-sjick and Russian reel'd from the sabre-stroke, shatter'd and sunder d.
Then they rode back— but not, not the six hundred.
Cannon to the right of them, cannon to left of them, -
Cannon behind them volley'd and thunder'd ; [had fought ao well,
Storm'd at w^ith shot and .shell, while horses and hero fell, they that
Came thro' the jaws of death, back from the mouth of hell.
All that was left of them, left of six hundred. " .
When can their glory fade? oh, the wild charge they made!
All the world wonder'd. "
Honor the charge they made, honor the Light Brigade,
Noble six hundred !
THE COLLIER'S DYING CHILD.
By Farmer.
The cottage was a that^^hed one. its outside old and mean ;
Yet everything within that cot was wondrous neat and clean ;
The night was dark and stormy— the wind was blowing wild—
A patient mother sat beside the deathbed of her child—
A little, worn-out creature— his once bright eyes grown dim ;
It was a Collier's child— they called him " Little Jim."
And oh! to see the briny tears fast flowing down her cheek.
As she offered up a prayer in thought— she was afraid to speak, .
Lest she might waken one she loved far dearer than her life ;
For she had all a mother's heart, that wretched collier's wife.
With hands uplifted, see, she kneels beside the sufferer's l>ed.
And prays that God shall spare her boy, and take herself in.stead:
She gets her answer from her child— soft falls these words from him •
" Mother! the angels do so smile, and beckon little Jim !
I have no pain, dear mother, now ; but oh ! I am so dry ;
Just moisten poor Jim's lips once more ; and, mother, do not cry I "
With gentle, trembling haste, she held a tea-cup to his lips-
He smiled to thank her— then he took three little tinv sitw.
" Tell father, when he comes from work, I said ' good-night! " -to Tilm ;
And, mother, now I'll go to sleep." .... Alas ! poor Little Jim !
She saw that he was dying ! the child she loved so dear, -
Had utter'd the last words she'd ever wish to hear. ■ '■;/^".-."
The cottage door is opened— the Collier's step is heard ;
The father and the mother meet, but neither speak a word ; -' '
He felt that all was over— he knew the child was dead!
He took the candle in his hand, and stood beside the bed ; '.■■:. , ,.
His quivering lip gave token of the grief he'd fain conceal ; '''■"■■ ' ' •
And see, the mother joins him!— the striken couple kneel :
With hearts bowed down by sorrow, they humbly ask, of Him
In heaven, once more that they may meet their own poor " Little Jim."
'■i
%
. ^iJil'i-'rAT^tvl^ .
'X
FORTUNE-TELLING TABLET^
AS USED BT.THi: EGYPTIAN •ASTROLOGERS.
The person whose fortune is to be told, is to place the finger with his eyes shut, on any
of the letters below; then to refer to the corresponding letter, running along the inside of
the border, and has reference to the Oracle below, which will determine the fortune of the
enquirer.
CO
o
1^
o
■a
O
■o
n
to
TABLET.
S Y
A G N Q
V D Z E X L W
' A P N 0 G 0 W
L Q R S T E U C
KGLKVWTMF
SVANMGDPRR
ORBWXAGEN
H B I X F G S L
B H L N W V S
U G F T S Y
A Y W I
L G
^-
I
Z 8 L 17 IC 22
1T9
0 16
F2
Q3
ca
»3
»9
■1^
M
o
' - • '
*o
EXPLANATION OF TABLET.
«6
1. If this number is fixed upon by a man, it assures him, if sint^le, a
homely wife, but rich ; if married, an increase of riches, numerous chil-
dren, and go»d old age. To a lady, the faithfulness of her lover, and a
speedy marriage.
3. Very good fortune, audden prosperity, great respect from high
personages, and a letter bringing important news.
7. This number, to a woman, is wonderful in showing, if single, a
handsome, rich and constant husband; and if married, a faithful part-
ner, and who will be of good family, as she must know she has married
above her condition. To a man much the same.
8. This is a general good sign, and your present expectations will be
fnlfiUod, and you have some on the anvil. ^
0. If a married man or woman draws this, if under fifty, let them not
despair of a family. To the single, uudden marriage.
10. A friend ha.<* crossed the sea, but will bring home some riches, by
which t)ie parties are benefitted-
12. An uncommon number, belonging to scriptural signs, and the
party will have success in all his undertakings.
15. No doubt but the chooser is very poor, and thought insignificant ;
^t let his friends assist him or her, aa he in much favored.
16. A very sudden journey with a plea.sant fellow-traveller ; and the
result of the journey will be generally beneficial to your family.
18. A sudden acquaintance with the opposite sex which will be op-
posed ; but the party should persevere, as it will be to his or her ad-
ran tage.
21 A letter of importance will arrive, announcing the death of a
p^ative for whom you have no very great respect, but who has left you
s legacy.
22. Be very prudent in your conduct, as this number is very preca-
rious, and much depends on yourself ; it is good.
'£i. A very accomplished woman will be the wife of the man wh(
chooses this number.
24. Let the chooser of this number persevere; all of his or her
schemes are good, and must succeed.
BAD FORTUNE.
2. Shows the loss of a friend ; bad success at law.
4. A letter announcing the loss of money.
5. The man who draws this number, let him examine his moles, and
he will find more about him than he imagines.
6. Very bad success; you may expect generally not to succeed in
your undertaking.
11. I should rather 8u.spect the fidelity of vour husband or wife, if
married ; if single, you are shockingly deceived.
13. You want to borrow money, and yon hope you will have it, but
you will be deceived.
14. The old man vou depend upon is going to be married, and his
wife will have a child.
17. You mix with this company, and pretend to despise our tablet,
but you rely much on it, and may depend on being brought to disgrace
19. Look well to those who owe you money, if ever ao little. A letter
of abuse may be expected.
3U. A drunken partner, and bad success in trade; the party will
never be very poor, but always happy.
2.5. Those who choose this unlucky number, let them look well t«
their conduct ; justice, though slow, is surw to overtake the wicked.
The Gypsy Dream Book and Fortune Teller.
Ihiglish or German. Price, 1.^ Cents.
Gypsy Queen Dream Book and Treasury of
Vu;ky Numbers. Price 1.) Cents.
The Wit«he« Fortune Teller and Dream Book.
Price. 16 Cents.
Wapoleon'a Oraculum and Book of Fate.
Price, 25 Oenta.
CsgUoster's Book of Destiny, the Greatest
Ftortuae Teller. Price, 30 Cents.
Drt^ams and Omens; or, Mystery Revealed.
Price, 30 Cents.
Witches Dream Book and Complete Fortune
Teller. Price, 25 Cents.
Madame .Tuno's Dream Book, Fortune Teller
and Complete Oraculum. Price, 25 Cents.
Practical Palmistry; or. Hand ReadinR Sim-
plified. English or German. Price, 30 Cents.
Old Aunt Dinah's Policy Players Sure Guide
to Lucky Dreams and Lucky Numbers. 25 Cts.
Old Uncle Pokes Dream Book and Combina-
tion of Lucky Numbers. Price, 25 Cents.
The Japanese Fate Book; or, the Wheel of
Gold. Price, 25 Cents.
Lenormand's Fortune Telling Cards, with
Bnghsh and German directions. Price, 50 Cts.
A Complete Catalogue of Plays, Recitations, .
Ijctter Writers, Cook Books, Joke Books. C-&r4i
Tricks, Games and others for Two Cent 8tAmp.
Send to Wehman Brofl.. 136 Park Bow, N. Y.
^ Ain't Dat a Shame?
Parody— by Harry J. Breen.
I bonffht a nice big sofa, pat it in my front room,
But I caught my salesman and my wife making love on it quite soon.
I felt quite blue, 1 am a hard luck Jew, whenever I'd go out to my great
They'd sit upon the Bofa and start to stake goo goo eyes. [ surprise
I felt bad of course, I don't want a divorce,
I don't want to lose my salesman for he makes me lots of dough,
But if things keep on the way they are, out of my head I'll go.
I moat stop quick for it makes me sick.
Chorus. ^. "
Ain't dat a shame, a regular shame,
•; But I'll fix that fellow and his little game, , •"
(I woa't have a bit of pity).
I'll fix that loafer, I'll Bell the sofa,
That's all I can do with him, ain't that a shame.
Ohl Mister Din^
Parody— by Bd. Daly.
My father and I we had such a fight,
Just a week ago to-day, it was a sight, .■■":'
He said, my son Ikey, why are you so sad,
Father how can I feel glad. .. '• ■■"
Now Ikey don't you cry, go and wipe your eye,
Everywhere I go I'm a noly show.
When I walk along the street, some friends I happen to meet,
They say I am a disgrace to my own race.
' Chorus. ' ' '
Ohl what a face, such a disgrace, ' .
To have you Ikey, in the Hebrew race, ' ' .. ■
I'm not to blame, I really feel asbame.
Because my father gave me such a face.
Mr. Cohen and his son opened a clothing store,
It was right along the line in the bay, ••■-.•.
He kept clothing that had been worn before;
He told his son Ikey about a sale the other day.
What do you think of that nigger a-came in here,
Igave him a pair of pants instead of a coat.
The next day he came back, and said don't fear,
Then Cohen beard that nigger say so loud :
Chorus.
Give me my money, don't think yourself so fanny.
By giving me a coat instead of a pair of pants.
Cohen he did say. now nigger you better go away.
Or Ikey, my son Ikey, wiU put you out.
Parody— by Harry J. Breen.
Mamie when a bab^ pat ten cents in her moath,
Mamie swallowed It, she's ten in and ten out ; ^ ,
She ran for a doctor, for the doctor quick.
She ran for a doctor, for she was feeling sick.
The doctor said I'll treat you, Mamie said, oh, dear,
If you care to treat me, I'll take a pint of beer.
He worked with her an hour, done all that he coald do.
She only swallowed ten cents but he made her cough up two.
Chorus.
Oh! ohl oh! oh! Mamie, isn't it a shame.
Has Tour mother anv more at home like you?
Really you're a wonder, very fond of plunder.
Full of laughter, but a grafter, Mamie.
Mamie's mother took her down upon a farm,
Mamie's mother said 'twould keep her out of harm,
One day it was raining. Mamie, on, bosh,
I must go out in the rain, I'll wear my mackintosh.
When the rain was over, she hung it on a fence, ' '
But a bad cow came along now trouble did commence.
She started in to eat the coat, she thought that it was silk,
Mamie said, oh, mother, now we'll have water-proof milk.
COOIT, COOXT, COOXT
- '■ '■"},':■:■_'>/:'': \-:-'-'', Parody— by Ed. Daly. '.:.'"■'■: ■\-''^x »':" -■'••":".;
I thonght I had a patent for bleaching ladies hair, • . .;
I invested all my money, and I says I wouldn't care,
A little box of matches and a bottle of karecene,
I charged for that a quarter, and I thought it was a great skeme.
It was a simple way to use it, my directions was a fake.
One girl ehe burnt her hair off, but I said she made a mistake ;
A bunch one day near lynched me, they said they'd break my bones.
When friends will aak how they got bald, they'll say through Cohen.
Chorus.
Cohen, Cohen, Cohen, I wish that sucker would croak,
Cohen, Cohen, Cohen, that was a yiddisher joke,
0 Cohen, Cohen, Cohen, all day and night I moan.
And now I wear a false wig account of that Cohen, Cohen, Cohen.
Next week I got a saramons to come and see the judge.
For that I felt so shaky, but I wouldn't make a budge.
The clerk soon called my name up, Cohen before the bar.
He says now you're de mug that ruined these people like they are.
He says that I'm a swindler, and things like that ain't fair,
I answered back, karecene on a head, lit, makes light hair.
He says dots right, I discharge Cohen ; then I had them bughoused for
And they got their monkeys up and said the judge ain't fair. l*^^'.
GO WAY BACK AND SIT DOWN
Parody— by Harry J. Breen.
Old Abe Cohn runs and owns a liquor store on Christie Street ;
There's a guy hangs round his name was Michael Brown, he's always
looking for a treat ;
Now Abe knew that no coin he blew when he came into the store,
So he wrote out a sign, it read this store ain't mine, and ke hung it on
the door.
About six o'clock there came a knock, and Michael Brown came in,
He was drunk of course, and he asked for the boss, he wanted to get
some gin. [store.
But Abe, he cried, the boas ain't here, beside I don't know who owns th«
Mike says if that's true it don't belong to you, and then b^an to roar :
Chorus. . .,■ •
Go way back and sit down,
I'll take charge when the boss ain't around,
Abe then said I own the whole store,
Michael just showed him the sign on the door, „.: ''.[,':'
And said go way back and sit down.
iiXTXTZE MOOHB
Parody— by Harry J. Breen.
f ' ' I went to Brighton Beach in a big trolley car, '
And. oh, what a bunch I met there :
I stood round for a while with a suit in my hands.
For a bathing house looked everywhere.
Then I knocked at a door I had not knocked at before,
When a fat lady yelled " go away,"
She gave the door a pull and said, " this house is fall,"
And then in a sweet voice to her I did say :
Chorus.
Annie Moore, oh, Annie Moore, '
Please tell me won't you let in any more?
she said, I can, but not a man, •. -
There's five now and I can't let in any more.
Good-Bye Dolly Gray
Parody— by Harry J. Breen.
I once courted an old girl named Dolly Gray,
A grass widow twice now she's a bale of hay ;
When married she took off her hair,
Put her false teeth on a chair.
Then her cork leg she threw there, did Dolly Gruy,
Oh, I said, there's something missing, Dolly Gray,
You are here with me but still vou are away.
It is very plain to see that you have been false to 919, . -
And I think it's time to fiee, Dolly Gray.
CrtoRua
Good-bye Dollv I most leave yon, though it breaks my heart to go.
Something tells me it will grieve you because I love you so:
'Twas all right when you took out your teeth and your hur 70a throw
But that cork leg was the finish, goodbye Dolly Gray. [away.
One day my darlir • wife she came to me.
She said I am deaci „ oke it is plain to see.
And the rent is dae to flay, I said can't we move away, . .
We have got no dough to pay, Dolly Gray.
Then I thought of her cork leg and to her quickly said,
Can't we sell the cork and stay awhile instead;
I thought it was quite a trick
She would have no chance to kick.
But she proved to be too slick did Dolly Gray.
Chorus.
Good-bye Dolly I must leave you. though it breaks my heart to go.
Something tells me I am needed in the boarding house bjlow ;
You can get a job in Dennet's when I go away.
With your cork leg mash potatoes, good-bye Dolly Gray.
BEN BOLT
Parody— by Barney Horan.
Oh, don't you remember sweet Alice Ben Bolt,
Sweet Alice with hair so red ;
Who would smile with deUght if you told her a joke,
And for fun she would stand on her head ;
In the old coal yard in the alley Ben Bolt,
In a corner she stood all alone.
With a smile on her face and a tear in her eye.
Now sweet Alice lies under the stone.
Do you remember the day when she first went to school.
Along with her big brother Mike,
And the teacher says, "Alice, now you take your seat,"
And she say, " I'll take your watch before night."
Oh. she then put her feet on the top of the desk.
For she wore very large two's,
And the teacher says, " Alice, where you got your feet? "
And she answered, " Please, ma'am in my shoes."
Doyou remember the farm in the country, Ben Bolt,
Where sweet Alice had seen better days :
And she rode about town on her pneumatic wheel.
And she frightened most all of the jays.
She used to keep hens and she used to keep ducks,
Well she fed all her hens on cracked ice, •
But when she sold the eggs at ten cents a dozeo,
The hens would not lay for that price.
1 ^ ■■: ■ :v
^^ PARLOR PASTIMES. ^-^
EVENING AMUSEMENT.
LADIES' COLUMN.
Reqnest a gentleman to write \
down the following list:—
Set down a lady'r name.
Set down some time past.
Write the name of a place.
, Write either : ^es or no.
Yes or no, again.
A lady's name.
Some time to come. • ' ■
- Yes or no.
Yes or no, again.
Some color.
Some number, between 4 and 10.
' Some color.
Yea or no.
Some number, between 15 and 100 1
. A lady's name.
A gentleman's name.
: Name of a clergyman.
A sum of money.
Name of a place.
Any ntimber at all.
Then request the gentleman to
read off the list ho liaa written in
answer to the following questions
Who did you first offer to marry? '
When?
In what place?
Does she love you?
Did you love her?
Whom will you marry?
How soon?
Does she love you?
Do you love her?
What is the color of her hair?
What is her height?
What is the color of her eyes?
Is she pretty?
What is her age?
Who is to be bridesmaid?
Who is to be groomsman?
What clergyman is to marry you? J
How much is she worth?
Where will you re.side?
How many servants will you keep '
GENTLEMEN'S COLUMN.
Request a lady to write dovm
the following list :—
Set do^rn a gentleman's name.
Set down some time past.
Write the namt^ of a place.
Write either : yes or no.
Yes or no again.
A gentleman's name.
Some time to come.
Yes or nc.
Yes or no again.
Some color.
Some number, between 4 and 10.
Some color.
Yea or no.
Some number, between 15 and 100
A lady's name.
A gentleman's name.
Name of a clergyman.
A sum of money.
Name of a place.
Any number at all.
Then request the lady to read off
[ the list she has written, in answer
to the following questions: —
Who first made you an offer?
When?
In what place?
Does he love you?
Did you love him?
Whom will you marry?
How soon?
Does he love you?
Do you love him?
What is the color of his hair?
What is his height?
What is the color of his eyes?
Is he handsome?
What is his age?
Who is to be bridesmaid?
Who is to be groo.nsman?
What clergyman is to marry you?
How much is he worth?
Where will you reside?
How many servants will you keep
in*
GO, IF YOU CAN.
You tell a person that you will clasp his hands together in such a man-
ner that he snail not be able to leave the room without unclasping them,
although you will not confine his feet, or bind his botly, or in any way
oppose his exit.
This trick is performed by cla.sping the party's hands around the
£illar of a large circular table, ur other bulky article of furniture, too
irge for him to drag through the doorway.
To Tell tho Numbers on a Pair of Dice.
This is done by a simple arithmetical process.
Ask some one to throw the dice without your seeing them, then tell
him to choose one of the numbers and multiply it by two, add five and
multiply this number by five and add the number on the remaining die.
On tiis telling you the result you subtract mentally twenty-five from
the number he has obtained and the remainder will be two figures rep-
resenting the two numbers on the dice.
Suppose the numbers thrown to be six, three. Six multiplied by two
would be twelve— with five addenl make seventeen, multiplied by five is
eighty-five, with three added make eighty-eight ; from this take twenty -
five and it gives as a result sixty-three— six, three, being the numbers
thrown. This can be worked with the same result if the person throw-
ing the die multiplies the three instead of the six, the result in that case
being thirty-six instead of sixty-three.
A Person Having an Even Number of Coin
In One Hand, and an Odd Number in the
Other, to Tell in Which Hand the
Odd or Even Number Is. r
Yon desire the person to multiply the number in his right hand by an
odd figure, and the number in his left by an even one ; and tell you if
the products, added together, be odd or even. If even, the even num
ber is in the right hand ; if odd, the even number is in the left. For in-
{Stance:
1. Number in the right hand is
even ... ig
Multiplied by • • 8
Product • • 64
2. Number in the right hand
is otld - - - 7
Multiplied by • . 3
Product - - 21
In the left hand odd
Multiplied by
Product
Product cf both hands
7
2
14
68
In the left hand even • 18
Multiplied by • - 2
Product • - 36
Product of both hands 57
Magic Age Table.
/16
2
3
6
7
10
11
14
15
18
19
22
23
26
27
30
31
34
36
38
39
■12
■Hi
46
47
50
51
54
55
58
50
62
63.
4
5
6
7
12
18
14
15
20
21
22
23
'28
■29
90
31
;«
37
38
39
44
45
46
47
52
53
54
65
60
61
62
63
8
9
10
11
12
18
14
15
24
'&
•26
•27
28
2«
;w
31
40
41
42
43
44
45
46
47
bH
57
58
50
6U
61
62
17
18
19
20
21
22
23
24
25
26
•27
28
•20
30
31
48
49
60
51
62
53
54
55
56
h7
58
50
60
61
62
03
32
33
34
35
36
37
38
3J>
40
41
42
43
44
45
46
-4^
48
49
50
51
52
.53
.54
55
56
57
58
59
60
61
62
63
To Find a Remainder.
The key to this is that half of what-
ever sum yon request to be added
during the working of the sum is the
remainder. In the example given 6
is the half of ten, the number request-
ed to be added. Any amount may be
added, but the operation is siplifled by
giving only even numbers, as they will
divide without fractions.
EXAMPLE.
Think of
Double it
Add 10 to it
Half it
7
14
10
~12
7
5
Key to Table.— Add together
the figures at the top of each
column in which the age is found,
and the sum will be the age
sought. EXA.MPLE— Hand the ta-
ble to a lady and request her to
tell you in which column or col-
umns her age is found ; if she
says the first, second and fifth,
you can say it is 19 by mentally
adding together the first figures
of those three columns, and ao
on for any age up to 63.
Which will leave
. Subtract the number thought of
' The remainder will be - •
FORTY-FIVE.
How can forty-five be divided into
four such parts that, if to the first
part you add 2, from the second part
you subtract 2, the third part you
multiply by 2, and the fourth part
you divide by 2, the sum of the addi-
tion, the remainder of the subtrac-
tion, the product of the multiplica-
tion, and the quotient of the division
be ail equal?
The 1st is 8 : to which add 2—10
The 2nd is 12; subtract ^2— 10
The 3rd is 5; multiplied by 2—10
The 4th is 20 ; dividid by 2—10
Subtract 45 from 45 and leave 45 as
a remainder.
9 8 7
1 2 3
6 5 4 3 2 1=45
4 5 6 7 8 9 = 45
86419753 2=45
For any Books. Novelties or Sheet Music, that yon may see advertised
in any Song Book or Catalogue, send direct to Wehman Bros., 126 Park
Bow, New York. Catalogues sent free on application.
ADVANTAGEOUS WACER.
Request a lady to lend you a watt:h. E.xaniiiie it, and give a gues.s as?
to its value ; then offer to lav the owner a wager, considerably below
the real value of the watch, that »he Mrill not answer to three qneetions
which you will put to her consecutively : "My watch." Show her the
watch and say: "What is this which I hold in my hand?" she, of
course, will not fail to reply : " My watch." Next present to her notice
some other oblect, repeating the same que.stion. If she name the object
you present, sne loses the wager ; but if .she be on her guard, and re-
membering her stake, she says: " My watch." she must, of course, win;
and you, therefore, to divert her attention, should observe to her : " Vou '
are certain to win the stake, but supposing I lose, what will you give
me?" and if, confident of success, she replies for the third time: "My
watch," then take it, and leave her the wager agreed on.
THE MAGIC SQUARES.
Lay seventeen pieces of wood Oucifer mutches will answer the pur-
pose) as in Fig 1. t
The puzzle you propose is — to remove only five matches and yet have
no more than three [Ksrfect squares of the .same size remaining. This
apparent impossibility is rendered easy by removing the two upper cor-
ners on each side and the center line below, wh' n the three squares will
appear as in Fig 2.
•■ <-.»
*..
Figl.
Fig 2.
IS IT POSSIBLE?
Side by side place three pieces of anything, (money is the most con-
venient,) then take away the middle pitjce without touching it.
By removing the right hand piece to the side of the left, you thus take
away the center without touching it.
DOUBLE MEANING.
Place a glass of any liquor upon the table, put a hat over it, and say:
" I will engage to drink the liquor under that hat, and yet I'll not touch
the hat."*You then get under the table, and after giving thre« knocks,
vou make a noise with your mouth as if you were swallowing the hquor.
^en getting from under the table, you say: "Now, gentlemen, be
pleased to look." Some one, eager to see if you drank the liquor, will
raise the hat, when you instantly take the gmss, and drink the contents,
saying : '• Gentlemen, I have fulfilled my promise, you are all witnwaea
that 1 did not tovich the bat."
The Harp that Once tliro' Tara's Ball
Th*- harp that once thro' Tara's halls the soul of music shed.
Now hangs hs luute on Tara's walls, as if that soul were fled. "•'',/■ .-. '
S«) sleeps the pride of former days, so glory's thrill iso'er,
And hearts that once beat high for praise now feel that pulse no more.
Ni) more to chiefs and ladies bright the harp of Tara swells;
The chord alone, that breaks at night, its tale of ruin tells.
Tims freedom now but seldom wakes; the only throb she gives
Is when some heart indignant breaks, to show that still she lives.
Meet Me by Moonlight Alone
Mer t me by moonlight alone, and then I will tell you a tale
Must be told by the moonlight alone, in the grove at the end of the vale.
You must promise to come, for I said I would show the night-flowers
their queen—
Nay, turn not away thy sweet head, 'tis the loveliest ever was seen.
Oh I meet me by moonlight alone, meet me by moonlight alone.
Daylight may do for the gay, the thoughtless, the heartless, the free ;
but there's something about the moon's ray, that is sweeter to you and
to me.
Oh I remember be sure to be there, for though dearly a moonlight I prize,
I care not for all in the air, if I want the sweet light of your eyes.
So meet me by moonlight alone, meet me by moonlight alone.
I Dreamt that I Dwelt in Marble Halls
I dreamt that I dwelt in marble halls, with vassals and serfs by my side.
And of all who assembled within those walls
That I was the hojye and the pride.
I had riches too great to count — could boast of a high ancestral name ;
And 1 al.so dreamt, which charmed me most,
That you loved me still the same;
That you loved me still the same, that you loved me still the same.
1 dreamt that suitors besought my hand ; that knights, on bended knee.
And with vows no maiden heart could withstand,-
They pledged their faith to me. *
And I dreamt that one of that noble host came forth my hand tO claim ;
And I also dreamt, which charmed me most,
That you loved me still the same ;
That you loved me still the same, that you loved me still the same.
SLLa ZvHaa
Oh! Ella Rhee, so kind and true, in the little churchyard lies—
Her grave is bright with drops of dew, but brighter were her eyes-
Then carry me b«ck to Tennes.see, there let me live and die,
Among the fields of yellow corn, and the land where Ella lie.,
CHORtJS.
Then carry me back to Tennessee, there let me live and die,
Among the fields of yellow corn, and the land where Ella lie.
Her pretty eyes and gentle form, methinks I yet can see;
I love the spKJt wh ?re .she was born, 'way down in Tennessee,
Then carry me back to Tennessee, there let me live and die.
Among the fields of yellow corn, and the land where Ella lie.
The Summer sun will rise and set, and the night-birds thrill their lay,
And the possum and coon so softly step round the grave of Ella Rhee.
Then carry nie back to Tennes-see, there let me live and die,
Among the fields of yellow corn, and the land where Ella lie.
THE aiFSY'S WARNZlTa
Trust him not, O gentle lady, though his voice be low and sweet-
Heed not him who kneels before thee, softly pleading at thy feet ;
Now thy life is in its morning : cloud not this thy happy lot,
Li.sven to the gipsy's warning— gentle lady, trust him not. -, "* -
Lady, once there lived a maiden, young and pure, and like the fair ;
Yet "he wooed, he wooed and won her, thrilled her gentle heart with care,
Then— he heeded not her weeping— he cared not her life to save I
Soon she perished— now she's sleeping in the cold and silent gravel
Lady, turn not from me so coldly, for I have onlv the truth—
From a stern and withering sorrow, lau'y, I would shield thy youth ;
I would shield thee from all danger, shield thee from the tempter's snare ;
Lady, shun the dark-eyed stranger— I have warned thee, now, beware!
Take your gold— I do not want it : lady, 1 have prayed for this—
For the hour that I might foil him, and rob him of expected bliss.
Aye, I see thou art filled with wonder, at my looks so fierce and wild^
Lafiy, in the church yard yonder, sleeps the gip.sy's only child.
MART OF THE WILD KOOB.
It was on one cold Winter's night, as the wind blew across the wild moor.
When Mary came wandering home with her babe,
Till she came to her own father's door ;
■■ i >h, father 1 dear father! she cried, " come down and open the door.
Or the child in my arms will periab and die,
■. 'I By the wind that blows across the wild moor."
"Oh, why did I leave this dear spot, where once I was happy and free?
But now doomed to roam, without friends or home,
And no one to take pity on me! "
The old man was deaf to her cnes, not a sound of her voice reached his ear.
But the watch dog did howl ! and the village bell toU'd,
' >' . And the wind blew across the wild moor.
But how must the old man have felt when he came to the door in the
Poor Mary was dead, but the child was alive, [morn I
Closely pressed in its dead mother's arms. [did pour,
Half frantic he tore his gray hair, and the tears down his cheeks they
Saying, " This cold Winter's night, she perished and died
V- By the wind that blew across the wild moor."
The old man in grief pined away, and the child to its mother went soon.
And no one, they say, has lived there to this day.
And the cottage to ruin has gone.
The villagers point out the spot where the willows droop over the door,
f^ Saying, " There Mary died, once a gay village bnde.
By the wind that blew across the wild moor." ■;-:... •
YOU'LL REiyrRMBEB US
When other lips and other hearts their tales of love shall tell, ._.
In language whose excess imparts th^ power they feel so well, ;. .'v' '';,■■
There may, perhaps, in such a scene, some recollection be .■.•;-■ "
Of days that have as happy been, and you'll remember me — .•' - J -' "" •
And you'll remember, you'll remember me.
When coldness or deceit shall slight the beauty now they prize, *^ '
And deem it but a faded light which beams within your eyes ;
When hollow hearts shall wear a mask 'twill break your own to see,
In such a moment I but ask that you'll remember me —
That you'll remember, you'll remember me.
HEAZbT BOWED DOWN
The heart bowed down by weight of woe, to weakest hopes will chng ;
To thought and impulse while they flow, that can no comfort bring.
That can, that can no comfort bring.
With those exciting scenes will blend, o'er pleasure's patthway thrown,
But memory is the only friend that grief can call its own ;
That grief can call its own, that grief can call its own.
The mind will, in its worst despair, still ponder o'er the past.
On moments of delight that were too beautiful to last ;
That were too beautiful, too beautifuMo last.
To long departed years extend, its visions with them flown, ' ' ; ' '
For memory is the only friend that grief can call its own : .J
That grief can call its own, that grief can call its own.
EITTT WELLS
You ask what maktt this darkey weep, why he like others am not gay ;
What makes the tear flow down his cneek, from early morn till close of
My story, darkies, you shall bear, for in my memory fresh it dwellsjday
'Twill cause you all to drop a tear on the grave of my sweet Kitty 'WellB.
; Chorus.
' '-. V: While the birds were singing in the morning, ." , . :
And the myrtle and the ivy were in bloom.
And the sun on the hill was a-dawning.
It was then we laid her in the tomb. " \
I never shall forget the day that we together roamed the delb;,
I kissed her cheek and named the day that 1 should marry Kitty Wells ;
But death came in my cabin door, and took from me my joy and pride;
And when 1 found she was no more, then I laid my banjo down and cried.
I often wish that I was dead and laid beside her in the tomb ;
The sorrow that bows down my he^id is silent in the midnight gloom ;
The Spring-time has no charms for me, tho' flowers are blooming in the
dells.
For that bright form I do not see, 'tis the form of my sweet Kitty Wells.
SALLY nr OUR ALLEY
Of all the girls that are so smart, there's none I love but Sally ;
She is the darling of my heart, and she lives in our alley.
There's not a lady in the land that's half so sweet as Sally ;
She is the darling of my heart, and she lives in our alley. ' '■
Her father makes cabbage nets, and thro' the streets doth cry 'em ;
Her mother she sells laces long to such as please to buy 'em.
But sure such folks could never own so sweet a girl as Sally ; .
She is the darling of my heart, .and she lives in our alley.
When she is by, I leave my work, I love her so sincerely ;
My master comes like any Turk, and bangs me most severely. "
But let him bang his belly full, I'll b<'ar it all for Sally ;
she is the darling of ;ny heart, and she lives in our alley.
Of all the days that's in the week I dearly love but one day.
And that's the day that comes between Saturday and Monday. )
For then I'm drest all in my best, to walk abroad with Sally ;
She is the darling of my heart, and she lives in our alley.
My master carries me to church, and often I get blamed.
Because I leave him in the lurch as soon as the text is named.
I leave the church in sermon time, to walk abroad with Sally ;
She is the darling of my heart, and she lives in our alley.
When Christmas comes about again, oh! then I shall have money;
I'll hoard it up, and box and all, and give it to my honey.
And would it were ten thousand dollars. I'd give it all to Sally ;
She is the darling of my heart, and she lives in our alley.
My master and the neighbors all, make game of me and Sally ;
And but for her I'd rather be a slave, and row a galley.
But when my seven long years are out, oh ! then I'll marry Sally ;
Oh! then we'll wed, and then we'd bed, but not in our alley.
Z SAD BT7T FIFTY CENTS
I took my girl to a fancy ball— it was a social hop.
But we stayed imtil the folks went out, and the music it did stop ;
Then to a restaurant we went— the Ijest ont; in the street ;
She said she wasn't hungry, but this is what she eat : _^
A dozen raw, a plate of slaw, a chicken and a roast ; '^
Some sparrow grass and apple sass, and soft-shell crabs on toast ;
A big box-stew, and crackers, too, her appetite was immense. ^
When she called for pie, I thought I'd die, for I had but flfty cents. '
She said she wasn't hungry — she didn't care to eat ;
Now I've got money in my clothes to bet she can't be beat ;
She took it in so cosy, she had an awful tank.
She said she wasn't thirsty, but this is what she drank :
A whiskey skin, a glass of gin — it made me shake w^ith fear ;
Some ginger pop, with rum on top, a schooner, then, of beer;
A glass of ale, a gin cock-tail, she ought to have had more sense.
When she called for more, I fell on the floor, for I had but fifty cents.
You bet I wasn't hungry— I didn't care to eat.
Expecting every moment to be kicked out in the street; v • • .
she said she'd bring her family round some day, and we'd have ftw.
Then I gave the man the fifty cents, and this is what he done :
He tore my clothes, he mashed my nose, he hit me in the jaw :
He gave me a prize of a pair of black eyes, and with me swept the floor ;
He took me wnere my clothes hung loose, and threw me over a fence.
Take my advice, don't try it twice, when you've got but fifty c«int9.
:^i
TOM 100 HIYE DONE ME I fIfOR
Copyngbt, 1896, by Howley, HaylUnd * Co. Eogllab Copyngbt Mcured.
"Wordi and Mualc by Harry Von Ttlier.
A cozy little p«rlor, a maiden yoang and fair,
Harry and Tom, two loving pale, each nlgbt you'd And them there.
They both loved her dearly, and said that her love they would tent ;
BfaeDlaabedas she glanced apat Harry, when he asked her which she lored beflt.
Poor Tom read her anHwer and raurmared. " Old pal, I am eoini; away,
I give her np, and I wish yea much joy," then Harry did aoBwer and aaj :
Rkfraim.
** Tom, yon kaTe done me a favor, a favor I'll never forjret ;
I know that you love her dearly, too Bud that you ever met.
We have been friends, Tom, Miuce childhood, this action yon'il never regret,
Tom, yoD have done me a favor, a favor I'll never forget."
A coEy little bomextead, a coaple sitting there ;
Harry and May, now man and wife, a moot unhappy pair.
Tears have pimsed and quarrels they have ev'ry night by the score — '
Oft be has wished he was single, he longed for thoce days of yore.
One day coming home from his business a note on the table lay, [say.
UtMMl"Pray forgive me, I've ran off with Tom," then Harry did mnrmor and
Rkfrain.
"Tom, yon have done me a favor, a favor I'll never forget,
fak&her, old pal, you are welcome, oh, yon'il have yonr troublea yet,
411 is not gold, Tom, that elitters, this action you'll surely regret,
StIU, yon nave done me a favor, a tsvor I'll never fonret."'
MY BLACK SAPHO
OopTTight, 1900, by Hofman-Edwards Muaio Ca
Words and Music by Chas. Edwards.
I lava a colored lady, and her name is Sapho Brown,
To me she am de only gal in town :
And aottn I will propose to dis du.'tky colored rose,
Ver aha has my heart turned ruun'.
|fo«r aext Sunday night I will dres.s just out of aight,
Aad to her honable nome I will go ;
fH aak her for her hand but I don t know how I'll land.
Theee words I'll My to black Sapho :
Chorus.
If a own black Sapho, I love Ton so,
Ma heart ia aching for you, I know ;
Oh, be my wife do, and whisper low,
Just aay you love me, ma black Sapho.
When I called she said she loved me, oh, what joy dem words did brlaf ,
With arms aroun' ma neck did fondly cling ;
That wav we both did Unger, I placed upon her finger
A dandy little diamond ring '
I will send out invitations to all of our relations,
And every other coon I know ;
When the wedding bells will chime, and de parson aays she's miat^
These worda I'll aay to ma Sapho:— Chorus.
BY THE UKES OF KILLARNEY
Copyright. 1898, by E. T. Paull.
Words and Music by Annle'B. O'Shea.
Althongh far away from the land I love dearly,
Mv neart is still f .ee from all sorrow and care.
For I know of a lass there, who loves me sincerely.
And she is the ono who my bounty will share,
A fair summer eve by the Lakes of Killamey,
I asked her to be my own dear little bride.
And when I had told ber my words were no blarney.
She promised so sweetly with me to abide.
Chorus.
The girl I shall marry lives in County Kerry.
Bhe's the sweetest and comeliest lass in the land,
And I long to tarry with my little Mary,
Fore'er by the Lakes of Killamey.
At night when asleep of my lass I am dreaming,
In daytime my thoughts arc of her while at toll.
For I know that two eyes for me only are beaming
Across the wide o<-eun on old Ireland's soil,
Snre why should my heart then be troubled with sadness,
I know that my own little lassie 's true.
While fond expectations still All me with gladness.
And soften my labor like sweet morning dew.— CAortM
Sing/oUowing qfter Chorut of id ver»e.
By KiUamey's lakes and fells,
Km'rald isles, and winding bays.
Mountain paths, and woodland dells.
Ever fair Killamey.
THE AMERICAN VOLUNTEERS
CopynghtUm, by T. J. TUCKER. Worda and Music by TOM TUCKER
Band.s are playing swe«tly, and flags are flying gay.
The American Volunteers, brave boys, an* turning out to-day :
With h««d erect, in martial tread, the people greet with cheers
Onr gallant soldier boy» in blue, the American Volunteers.
Refrain.
soldiers all, at country's call, where'er the foe appears,
They'll fight for freedom, one and all, the American Volunteers.
Chorus.
Hlght face! shoulder arms! steady on the right!
the people know they'll do their best when they go forth to fight ;
.Lieft wheel, carry arms! they have got no fears,
But will alwayH gain the day, the American Volunteers. Repeat Cho.
America's sons are brave and true, and when their duty comes,
Respond at once to fall in line behind the fifes and drums ;
With banners waving in the air, now this is what one hears:
ij^i, see the t'allant soldier boys, the American Volunteers.— Rer. A Cho.
Tell Me Honey, Do
Copyright, 1898, by A. W. Tami, 109 W. 28th St., N. T. EBgllsta Copyright Secure*.
Words by Dan Packard. Moslo by Andrew Le Roc.
Way down in Alabama 'mong'st the sugar cane and com, ' i . ■ :
There lives a little yellow gal, the sweetest ever bom. ;
And when the birds have gone to sleep and crickets chirp their lay.
To the mnaic of the banjo you will hear a darkey say.
RKFBAni.
Do yon love me honey much as I do you.
.. Just tell me that yon love me with your whole heart true,
I want you for my miseee, now don't yoa like my kisaea.
Tell me honey do.
I love yon sincerely, yes indeed I do.
Much more than any yellow gal I ever knew , .
With love I am afire, am I your heart's desire t
Tell me honey do.
Down on the eld plantation, when the cotton is fn bloom,
The pure magnolia blossoms give the air a sweet perfume.
When melouH are the sweetest then the darkies always "spoon,"
They are tasting sweetest honey when they sing this kind of taxut.—Rtf.
DO NOT FORSAKE HER.
Copyright, 1898, by Howley, Havlland ft Co. English Copyright secvred.
Words and Music by Will A. Heelan.
Within a gilded mansion on a stormy winter's night.
An angry father faced his loving son.
" Your name you have disgraced," fie cried, " forever leave my sight.
Lead on the reckless lire you have begun."
" I'll go," the lad cried, " far away, forget her and the past ;
Forget your boy and monm for him as dead ! "
Then his gentle loving mother rose, her sad tears falling fast.
As she pressed his hand appealingly she said :
Chorus.
" Do not forsake her, but right her the wrong you've done.
Wed her and take her 'neath a distant sun.
Where the brand of her folly will fade from her fair young brow.
Only think of the love that she bears you, my boy, and do not forsake her DOWT'
Upon the snow clad stoop there crept a maiden young and fair.
Her white lips breathed a plea to Him above'. •
" He has weariea of bis toy," she cried, " Oh I Heaven, hear my prayer.
Forgive my sin, 'twas for the man I lovel "
Herpistol gleamed a blinding flash ! the door swung open wide ;
"rbey gazed as calm and sweet in death she lay.
As he sunk beside her lifeless form, the lad in anguish cried,
"'THdor- •""- • ' '-'nrd yonr mother say:"— CAorw.
Would You ? Well, in a Minuu
Copyrtfftat, 1898, by E. T. Paull.
Words and Mualc by Harry 8. Miller.
If yoti met a pretty girl, one that set your head awhlrl.
Wouldn't you do your very best to win it T
If she'd slyly pass you by, wink her roguish little eye.
Would you i well, in a minute.
Chorus.
Tea, yon would. Meed yon would do 'most anything yoB ooold,
Just to say the little thing was really yours;
Wouldn't yon T yes. you would, 'deed you would.
Don't tell me, I know yon would, | .
Just to say that she were only yours, yon know. . {•
If you knew a little Miss, one that's never had a klaa.
One of the kind that wonders what is in It;
If she came to you, sav now, kind of, well— I don't know how.
Would you f well, in a miuvkUs.—Chonu.
IS a widow young and sweet met you smiling on the street.
And says to vou, how glad— and then to dim it.
Begs yonr pardon, a mistake, but, of course, you're wide awaln
Would yon ? well, in a minute.- CAotm.
When a maiden, indiscreet, starts to cross a muddy street.
Really her skirts she raises to begin it;
And she stands just where she's at, kind of, I don't cue s nn,
Would you f well. In a minute.— CAorti«. j
X Kow I'm not a selfish elf, if I do say so myself, ' *
Dearly I love the boys that's really in It;
And there's lots of them for fair, should I aay to him down then
Would you r well, in a minute. — CAortM.
I-
^
THERE IS LOVE IN NT HEART
TET FOR YOU ,
Copyright, 1898, by Chas. Coleman.
Words by Russel Fox. Mvwic by R. J. Morris.
A woman 8topp€(d one evening at a little cottage door,
tt was the one that she had left just one short year before.
She camt? to ask forgivincss from the husband she had wronged
To see her child and honif again tht; erring mother longed.
The door it soon was oix'ned, and thc^ husband recognizt^.
Tlie woman as his faithless wife he had so dearly prized.
" Can you forgive me. Jack," she said, " the' I astray was led,"
And while the tears rolled down her cheeks, her husband gently said:
Chorus.
There is love in my heart yet for you.
Though to me you have not been true ;
I love you yet, and the past I'll forget.
For there is love in my heart yet for you.
Their home it wa.s so happy till to her temptation came,
And then h»>r honore<l life was change<l to one of sin and shame.
Another with fal.se pronii.-'es p<-rsuaded her one day
To leave her humble cottage home for city pleasures gay.
But all things are not as they seem, she soon had cau.se to rue,
AJid vowed she'd seek forgivinesa from her husband kind and true;
So back to home, sweet home, and to the man that she had wed,
She came to ask forgiveness, and to her these words he said : — Cho
:1
I
4
■if-
THE ONLY WAY TO HAPPINESS
CopTiight, 1899, hj Aacher, Schott A Bowaky. Boyal MaMo Co.
• . . : > J ,.;. ■;. Words by H. Williams. Music by Bmil Ascher.
English Copyright Secured.
Beside her dear old mother a fair-haired maiden stood,
She knew there was no other to guide her as she would ;
-' Bhe took her mother's hand and then Icnelt sadly by her side,
. To tell an old, old tale again, she stood twix love and pride. i
_ ': Two rivals sought to win her hand, one offered love alone, '■[. w-. - .i-.
v' The other wealth and riches grand, if she would be his own ;
Cttie loved the lad who had no gold, now which one should she wed
Tti«a, when the maiden's tale was told, her mother softly said:
.:';:: t'''' i^-"- S--\ /::'■''}''■'■■''■ ^:-^: Chorus. /'■ -.;-•:'.; '-/'■':'''_ ;■ v'-- ■■■■'■''^
VIM Olity way to happlnea is that where true loTe lies,
^nie heart that's sold for shininc: gold for freedom always sighs.
Bat lore's fair lisht, so dear and brisht, will eoide you aright, I know
nie only way to nappiness is that where the love lights glow.
. The twilight shades are stealing and shadows fall around,
■'•■' A man and woman kneeling beside a lonely mound, •.-.-••>
, .% Upon the woman's gentle face there lies a silent tear.
For on the tombstone there ther trace the sad words " Mother dear'"
Her thoughts revert to times of old, when on that day long i>ast,
Bhe stood between true love and gold, and love had won at last ;
> . She whispered " Jack, since we were wed no truer wordu I know,
;' Than those, that she, who sleeps here said, to me so long ago.— Cm*
Tell Me That You Love Me, Like Yot
. Used to Do.
CopyrliJit, 18K, by Howler, UarllsDd & Co. English Copyright Beaiiieft
By Harry S. Miller ft Emily Smith.
What makes voa turn away so cold. Sue,
Tell me while de stars shine bright abiTB, -- ' /
'_ , . Ton never acted BO in dayfl of old, Sue, :.:'.'-;;
When your little heart was warm with love.
I saved up all de money dat I could, Sue,
Sr'non^h to buy a little cabin home.
Ton can make dat cabin gleam if youMl only be its qaeen
Oh, listen while I aing to yon alone.
Chobtjs.
Sae, Sue, won't you tell me true.
Tell me that you love me, like yon used to do.
Oh, Sue, come do,
Fo' ma heart am breakin' now in two, fo* yon. So*
Yes, Sue, I love you deed I do,
An' I want no other yaller gal but yoo,
Put vour arms aroanu me, and tell me little Sue,
Tell me that yon love me like you used to do.
Bont tell me dat you has grown tired, Sue,
Cause I loves yon eber more and more.
Dere never was another that I 'mired. Sue,
Ton am really all that I adore.
Ton 'member when a little boy, and girl, 8ne,
Ton tole me that you love me true and plain.
Won't you say you love me now, like yon used to do ■omehov^
Oh, listen while I sing to yon again.— CAoriM.
JOSEPHINE MY JO
"t^yrlgtit, 18(8, by Howley. Havfland ft Co. En^MsU C*nTtckt
Words and Music by Paul Barnes.
I know a little maiden and her name is Josephine,
Josephine my Jo.
She i^juBt the sweetest little maiden ever seen ' - ' . . '" >
And I love her so. ' v X
I dont know If she'll have me or if I stand any ah«w. '.\- , .
But I'll ask her to be mine to-day, ^ ■
Sweet Josephine mv Jo, .;".''...'■-■■'■/■
And this is What I'U say. ■.•.•.■;'
"■.■ Cbortts. • ; >[■'■ '■_'-'. -l ■: ':':'^iy.
Josephine my Jo, ■■:.•'.-■"'■!
; , Say Im your only bean, . . • :
.' , And if yon love me truly tell me so my Jo.
, ■:• .. Josephine you are the queen of all the girls I know
And if you love me tell me so. - ■ ■
And if she says she loves I will go and bay the ring.
For Josephine my Jo. ,;.••• -'.
I'll build a little cottage just to put my Josie in, " .•.■ •, " •,;:
She'll be true I know. • ' *•
And when the happy time does come when we shall narriad to
And I'm walking down the aisle so gay
With Josephine my Jo,
Yon 11 hear the organ play. :■:■■■■-,■ y^-:.-^..' .■
i . Chobus. '.■■'•'■ ,.
. Jopsephine my Jo, say I'm your only beak. ":'
And If yon love me truly, ,•,...■■-•-
Tell me so my Jo, .. ! ' "^ :■ ..
Josephine my Jo, ,','";■
■ If yon love me, tell me so my Jo ■''":'>::_
BRING MAMA BACK TO ME
\
Copyright, 1898, by Howley, Havtland ft Co. English Copyright i
Words by Andrew B. Sterling. Music by Harry Von TtlMr.
A little tot of seven, sat on her father's knee. ^ : >
*' Tell me dad," she whispered, " Where can mama be t" . .
• •' Hush," he gently answered, " she has gone away.
This Is Christmas eve, love, run away and play, -.-.j "
' Santa Clans will bring you presents by the score."
' Then the little maiden jumped down to the floor. ; . ,. ., : ; .;v
Pilled his heart with anguish, tho'ts of her who fled, ' "
As she knelt beside him and then she softly said :
Rrfrain.
** I dont want no Christmas presents, Santa Clans can kaap tkea all,
TeU him that I said this, won't you r If to see me he shoold call,
TeU him I am longing, papa, and how happy I would be,
U in place of toys and dolly, he'd bring mama back to me."
He stooped and raised her gently and kissed her once agaim.
. " Papa you are crying, have I caused you pain,
T^ me are you lonesome, why are yon so sad f
If he brought back mama, would it make you glad f "
■ - " Hushl my little loved one you will break my neart.
^ Some day you shall see her tho' we're far apart.
Kiss me goodnight darling, let me be alone."
"* Don't forget, dear papa,^' she cried in r^nornful ton*.—.
YANKEE HEITEEIT GLUE I 4sleep at the Switch,
C^epyrlght, 1816, by Howley, Havlland ft Co. Engllsb Convrlgbt secnie^ I '
Engllsb Copyright secnie^
Music by Lyn Udall.
by Howley, Havlland ft Co.
Written by Karl Kennett.
We pick him op In Cisco,
In Florida or Frisco : . ^ . - .
And teach him to manipulate a gun.
We mount him on a pony.
That's razor back'd and bony.
And set him chasing Indians for fun.
Bis name may be Mnllaly, Gnghelmer or Piszall,
It doesn't matter BO he wears 'he blOto ; ,
And tinker, clerk or cooper.
When once he's tnrn'd a trooper,
He'll answer to the name of Reuben Glue. ,
CHORtlS. " . ' ■
Ton may talk of your Palatkins,
Your Turks, or Tommy Atkins, — • ■ ;
We know 'em and we rather like 'em too ;
But when it comes to citing
The chaps to do the fighting
We pin our faith to Yankee Renben Glne .
When border troubles vex ne.
We send him down to Texas,
To make a blooming blister of his face. ■
And when the gay Comanches
Cut up and burn the ranches, . :'
He goes and gently puts them back in plaoft
As often as they ve got him.
When' they could safely pot him.
He's died as Yankee troopers ever do ; -
He's not a howling beauty.
But then he knows His duty.
And does it like a Yankee Reuben Qlat.—Chomik.
■>*
We hardly ever see him.
We wouldn't like to be him, '
We all have other irons in the fire. ;,'..'
But when the Y'ankee Nation,
Gets up a celebration,
We want him there in holiday attire.
And HO may heaven speed him, '.■ ' ;• . ' -; ■
He's there if we should need him, y ; ; .1 V '.."; V .-'.
As almost any day we're apt to do ; ■'■■ :.",•-->: ■', v '-
There isn't many of him, ';'•::; ./•":•'"
So all the more we love him. ' ~
And here's a health to Yankee Renben Olae.— C^ortt*
Copyrlgbt. 18>7, by E. T. PanlL ..'''"
Words and Music by Chas. Sbackford.
ifhe midnight express wUl be late here to-night, .
So side-track the West-bound freight;
Those were the orders that Tom had received.
As he passed through the ronnd house gate;
^m was the switchman, with heart true as steel.
And duty was first in his breast,
I9nt the thought of his boy, who was dying at heme<
erased Tom, and he fell at his post.
Hie shrill whistle blew on the freight for the West,
The rumble was heard of the midnight expreait .
Rkfbain.
Asleep at the switch, and no warning light.
To signal those trains that rushed through the night.
When down to the switch ran Toms daughter Ndl,
The crisis had passed, his boy would get well;
Bhe caught up the light and waved it on high, ■. !
And side-tracked the West-bound freight, . ' •
And the midnight express all in siJety flew by, '
While Tom was asleep at the switch. ' -, -
?be freight slowly backed on the main track again.
The men called to Tom good-night,
•1>nly the sob of a girl made reply, ..■,'■
And they saw bv the engine's'light, " •!.•.■
?om lying flat at £ie pout where he feli, " ■ • " ■ ^
And there, with her head on his breast, ' * ' . •'
^as his brave daughter Nell, who had saved all their lives.
And those on the midnight express.
3ach man on the freight for the West bared his head,
7or Tom's heart had stopped, at his post he lay dead.
ILsIeep at the switch, the president read, ^ " ' '^..
• '" And my wife and child were on board," he aaid, S'-- .. •''•r^^
But as he read on, his stem face relaxed, ~ \
" This road shall reward such heroic acts";
He sat at bis desk and filled out a check.
And sent it with all dispatch,
'Twas for Tom's daughter Nell, for her brave deed that nifffct.
While he slept his last sleep at the switch.
,:'*:»
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A DOLLAR BOOK
REDUCED to 25 Cts
TO'SECRETS
CUIRVgyANCE!
How to Become an Operator
THE SECRETS OF
ESMERIS
PSYCHOLOGY & SPIRITUALISM
And How to Become a Mesmerizer and Psychniogisi
WITH FULL INSTRUCTIONS
How to Become a SPIRIT MEDIUM
Being* Complete Embodiment of All theCnrlon« F»rt« Connected with the above Strinfa
Bdencea ThU Book CH>enn the Beaded Door at oiu-«, and makes one a ClairvoTant, axMeameriat, s
nycbolofrlst, and a Spirit Medium. wltUuut apendlnar money to learn from those already ■killed.
With tbla Book in your i<oBBeaAlon all Mratery will diaappear, and what before seemed to you be-
yond all human exi'lanat ion will beasriearaathellirbtof day. It should be sold for 9100 instead
of 36 cents. Clairvoyance ui'vea one Power over their acqiiaintancee. Any one can become a Pro-
ficient Operator, and then tnoadv&ntatfes are very Kreat, and the benefits enormous, Clalrroyanca
teaches your Future DeHtlnr. and the final Kesolts of all Ventures and Si>e<-ulatlons, and irises
Wisdom to the Unlearned. Clairvoyance tearhes howtojreton in the world. andOwn Hoiuesand
Lianda, and Gold and Silver Mines, and whore to Find Treasures Hidden or Buried— and how to
Accumulate Money very Rai'iiUy. It enables any one to Discover, Dencri be. Locate, and frenerally
Cure Plseaaes, ana Pi>cern Thintrs that are TransplriUK' at Other Places, though Thousands of
AUlea Distant. Clairvoyance Overcomes Trouble of any kind, and enables you to DiscoTer Thlnira
Lost Hidden or Btolen. It enables us to Tell what an Absent one is Doln^ or Haa Done In tlmea
paat. Clalryoyance enables a penion to know whethertheir Lover la TraeorFalae. in fact all their
movementa may be known. ItKeveals Lucky Numbers in Ixitteries, and enables onetoRnow
Which Horses win Win the Races, and WlUch Club wlU Win the Game. Clairvoyants can See
Throutrh ones Clothing and ascertain whether thcv are Bound and healthy, also can tell whether
married persona are true to each other. MEHMER IS>I enablea one to Stop Pain of any kind
almost instantly. Cures Neuralida and Nervous Headache: See Throutrh Brick Walls Produce
tIncoBsciousness leavintr no remembrance of occurrences when awakened. Clalryoyance puts yoa
In possession of the Key to Wealth. It Keveals the Location of Minerals and Precious Stones,
and Brinw Back LoBt Friends, It teaches How to Prrform Miraculous Cures of Disease as done
br the Prophets and Healers by Seeln(f Throuijh everv part of the Human Body aa if It were made
ofvlaaa. It enablea onw to Discover and Win their Future Huaband or Wife. Clairvoyance deter-
mine* Thousands of Important ThinjfH not named here for lack of apace. Every Secret of any
^Vconnected with either PSYCHOLOGY. niEHMERl!4»I and ^PIRITUALISRI,
la Explained ao accurately and aimply that any person ownlnK this OREAT BOOK can become a
Good Clairvoyant, a Oood Mesmerist, a Good nycholofdat, and a Oood Spirit Medium, With a
knowledare of Mesmerism, as this Book teaches, you can make any one tell you every Secret of
cf their Ufa. and yuu can control any man or woman aa a mother doea a child. Price !t3 Cents.
A Very^'aluable, Strange.ft Wonderful Book
A $1 Book
Reduced
TO
25 Cents
The Devil's Legacy to Earth Mortals! %^<iVS ^&»t!^I''
Black ARTS
Witchcraft I
DEVIIATIOR, OMENS, FOREWARNINOS, APPA-
RITIANS, SORCERY, DREAMS, O/KMONOLOOY,
PREDICTIONS. VISIONS. AND COMPACTS
WITH THE DEVIL, ALSO THE AUTHENTIC
STORY OF SALEM WITCHCRAFT:
-A Book so Stranffe and Wonderful that the human mind can barely orrasp its mysterlM. Tha
Belief In Black Arts and Ita Practlc« datea back for thousands of yt^an. All countries and Nationa
hava Kiven it attention, and the refined and rude, the Ignorant and the learned have been and ara
now Dellevers In it. Tha Dark Nifrht of Superstition will never end. and no day will ever break so
brlffht aa to drive away mauklnd'a firm belief in the mysteries that this Book strives to unravel.
It^yea thenamea, livea and doinKS of all the noted witches of Ancient and Modern times, what
they done and how they done it, and how many were huuK In America and other countries. Lot-
tary Prixea how Won. Forpwarninga and what they mean. The blood-curdling History of the
"White l^dy." Freaks of Nature. The Witches Herbs for Curlnjr all kinds of Dlseaae, and what
ttM Herba are. Also the Famoua FJixer of Life, that Restores the A^ed to the bovancy of Youth.
gaetng with the Eyes Closed. Visions of those we knew. The I>i viniiiK R< 'd and How to Make one.
A wrtier saya that with this DlvininK Rod he discovered a valuable Coal .Mine, and was paid 86,000
for locatintr it. It la the Best Divining Rod for locating Gold and Silver Mines ever known. In
tha bands of some people this Book la a anre fortune. The Philosophers Secrets of changing
Lead Into Precious Metala. To Tincture Silver into Gold To Cure Diseases by Magical Celes-
tial and Sympathetic Meana. How Mafflclana Call Forth Souls of the Dead. Magic Crrstals and
Spirit MbTora, In which are aald to be aeen Forms, Objects, Visions, and moat Beautiful Scenes
of Worlda IXnEDOwa to Earth Moitala, and the Forms of Lining Friends distant from you are seen,
and their jnovementsknown at that very moment althonsh mllea away. We are living now in an
Af« of MYSTERY ae difficult to aatlafactorijy explain aa themyaterlea of two thouaited yeara ago.
Tnla book teaohea how to sununon and converse with Spirits. How the Demons can be made to
4o m*za blddlDff. This Booa 1: a treaanre. valuable all through yotir UIe.f Price 43 CENTS*
AVeryValuablef Strange ftWonderful B^ok
OR THE OPEN DOOR TO FAME A FORTUNE
Thlii Book will Start a j
I'oorBoyor H&nontha'
right trmck to make his
fortune.It IsaCompleta
/T K) oldest TralnlngBohoal
^-to every Kormm Ooaa- .
merolal or MeroantUe.
and Oener&l Bvalnsat
It cont«ii>a«Oom-
:>lfte Commercial sjut
UHlnees DIOTIONAU
giving theCorrect That
uition of Every Word,
used in Buslneaa Tran», .
actlona. Custom Hooaa
:IT$ UP HIU OMIT PART THE WAY.] R"'". Speculation Is
ttocks. liiwountji und Jremiiiina Metric and other Hystetns of
Veigl'tstid Mt-ajnires, Hiitfs of Income on Inve«tment«,Wonder-
rul K.Kiilts ot Small Savings. Value of Foreign Coins, Values of ,
Cure (iold and Silver, Intereiit Tablein, l)t iiiaiid and other Notes, '
lnt«T«-« and Usury, linnk Chtx-ks und T'ostal MoneyCirder* Jvory
Style and Form of Agreement*. Rook Accounts of all kinds,. Tha
Safeot Way to Do Buxinemand Make Money, How to Keep Banft
U-count and make out Notes of all kinds. How to Write a Bond
\nd Make out Deeds, How to Write Contractit and Leases, Make.
:<iit Reports, etc it 1» a Perfect Law and Buslnesn Library on • ■
unall sralo. It will nave hundreds of dollars In lawyer's feea^
uid to evt ry young nmn this Rook la worth Its weight In gold.
Farmer.) or merchants do not need a Ijiwyer when thty have thia
•iook. You can do their work Just as well Yourmlf. This Hook wlB
five a Farmer's Boy a I'erfert lliislnenii Kdurailun that wouldoosi
fS.OOO to get In 8ch<M>l or'Collcge. and pave his viay U) rrosperlty
*nd Fortune. It is a Book that every mother should place In tha
tianda of tier son, aa It is surely the " Oolden Key to Bui<lnesa Llt%
ir the Open I>oor to Fame and Fortune." Prloe 25 Centa i a*
Tir** Copies for 60 Onts. ' :
GUIDE™HORSE OWNERS
5EVEY«THINQ AIOUT A HORSE WORTH
w.iwiNotoany one that Owns, Cares for
r V, orks M H 'ts* It li> written by a noted
•'.erinary Surgeon, of great experience.
«*.'ij rr^ntauwevery S«»cn^
Hcrses It tells y.'U the I
Huy Tc Detect Horse Jockey Tricka To*
■il»r.»ge a Horse ; Slioe a Horse . Break *
"r»'3 HOi-ses, and Cure all Kinds of Horse
Ji»e»iieii The vei'y best Advice on Buying
.^.■"1 ding. Keanng, Training. Slijetng Ta --^^^
T.,^ng. Feeding, breaking and Doctonng Horvs. It gives th« Al*
]f TRAININO & TAMING HORSES ^>y »■ Ne-^ 5iechc d Tt tells HoCl.
.•.».ke a Horse I.ie Down-To Catch aWUd Horse— to T»ach aHorsi
-' i^aoe- to make a Hon»e Stand— 'o make a Horse 8it on ItsHaun
• .^tc or tc make him Come Down to Mount— to make a Horse ^z\
,-.-.'you, or tc make iiim Stand Still Without Hitching- to B-sal
*?-»e3 to Rlde^to Prevent a Horse Kunning Away, Iliustraj**
i>t appertaining tc.
It tells y.'U the Kind of Horse to
. ^ „ r great value to HorseOw3e«k
:j worth as much as other Hone Books oosting aa. It baa savst
.:iellTe8otaI.00UFlneHoraea. Price K Ota. orS copies for to cu
^Ht SECRETS -ANCIENT
AND MODERN MAGIC.
THE ART OF CONJURING URVEILLED
asperformed bythe wonderful Maglriansj
Houdin, Col Stodare and Heller givmg'
Ul thf Ir Best Stage Tncks and Full F.xpla- '
nations for performing them. This Book '
*eaches you now to be a Magician, so that i
.►■u can perform any Trick done by them I
You can bring Bowls of Fish from Empty I
Handkerchiefs . or Tell a Card by Smelling I
tt . jr Send a Card from the Pack to ar.y I
^■e^lon 8 Pocket ; to Make a Card Rise C>ut 3
rfa Pack .to make a Dime Fly into thel
Centre of an Apple; to make a Coin Ans-f
ser ijuestlonsi to make it Shower Real
Money :tc Changes Handkerchief into an Kggitotakeborrowsf
'{Ingsand Live Doves out of an C>melet . how to dotheSoUd PJxia
I •'rick , to mak«< Fresh f'lowers grow from an Empty Flower Po«
i.c pull Live Rabbits out of a Hat and then RoU teem into ODS , I* '
eaches the wonderful Sphinx lUuBion Trick. It is worth flOO •»
mow this trick. It teaches the Indian Basnet Trick, which Isa for
'ine to an amatiier : topiakea Dr'im hung to the CelUlng taps; M
oakeaUVINQ WOMAN Bleep In Mid Alr.sThls Book teaches hnA
ueds of the Best Tncks for Parlor or Hall, and vcu can learn hi*
'M lellght a company for two houra tl.Owhas Man reosived La*
ilgii': V see these Tricks performed Frtc*afi?^s Mr"';j:*»f3r yw
BE VOUR OVMH BOSS.
A SCARCB AND VALUABLE BOOK,
I IS WORTH SOOO TO A BEQINNERt
Young's Silent Bevealer,
and Confidential advice to beginners^
OR HOW TO START IN THE [
Mail Order Business*
And be Youp Own Boss, and Make
M mey at Your Own Home, No
Off.c« lent to Pay, Cash Com-
ing in by Mail Every Day. '
*>eod at once and yoti will receive by mail The Si!««t
ae— ai<jr, also a copy of our New Book, conUinic^
'too of the best adverti.sing secrete, and formulas *:
.. :-.ey makicg articles ever published, ail past pam
•jj ^iieipi o' ?ifty ceatc
«««<woM<«ebM'ka.UOpacaaaaak.a/ aMa.a« Mr «0»
raciwi.
. .i:
Address all Orders to WE H MAN BROS.« 126 Park Row, New York
, . ''"
• .'-U .' J. J.V"..
tHK HIOOCN KEY THAT UNLOCKS THE FUTURE. »
^ OLD GYPSEY MADGE'S
Oil.
OldHADOKwau
I the mont celebrs
I ted Gyjasy of vac
I dem tunes. Sht
I rives yuu (he Ke'«
to Unlock the Fi'
' ture, and maJcecr
And the Witches Key to Lucky Oreekms.^-^^^^^^^^
ler.Wlth thta Book yon can t**!! your own or any n. rson's fortune far better thiit
any Astrolomr, Clarlvovant, or Medium c»n. It foretells exactly what will happec
to you. ItKlrenthe HINDOO SCCKTS OF LOVIi how to Manage, what to Say and Dc
to gain the love, the heart ana nand of the person you desire to marry. It (five*
the Art of Telling Fortun«» by the Lines of the Hand. It contains old Madge's Die
tionary of Dreams so you can Interpret any Dream as soon as you hear it. It gives
you a Charm to J*rot«ct you from D-angeri ft teaches how to maije the Lucky Dreajt
Rose; Who your F'uture Husband orwife will be; the Love Letter Chann; how t<-
'?ow the Sex of Children Before Birth; to know h<iw soon you will Marry, and what Kortunx you will
!i»Te the Ix>ver» Charm. Old Madge's True Method of Telling Fortunes by Tea orCoffee Clip ; to kno(»
iyourlxive of a person will be Mutual; Fortune Telling by ('ards;<It tells your Lucky Days ; What
fon will be Successful in ; What your Absent Husband or \S'ife is Doing , What your Future Destiny la.
<*"hether your Wife, Husband or intended is True to You ; Whether you will ever Marry ; W hetber Mon
ij will b» left to you ; W^hether your Marriage will be Happy , How to be Successful in your lA>re aS^urs;
•*;• Number of Wives or Husbands you will Have ; \\liether you will be Wealthy , Seven Signs of
>>eedy Marriage ; Signs how to ("hoose a (rood Husband orWlfe. If you are in Trouble, or want To find
^lythlng out Old Madge telli you exactly what to do. Thes<ux-ess of your Future may depend on youi
"aadlnjr this great Book, for it will guide you to rrosperlty andKiches. Old Madge can bring you uood
K! ETllrortune. l>ont spurn her and you can Control othei-s and Find Hidden Treaaurea Sbe is Powerful.
^io* ag Ofnta. ^
YOUR MANNERS MAY
FORTUNE.
BE^YOUR
1 1) tfl Ih J>X ^^Mfl\^2fl I ■•TaTr^B I ^l^^^^^^^^^l^^ '" opened an4
jn(, .^n? * /i'«rV - BHradi^H 4 1 1 1 1 'f^^ wl|IHIIHll Hl^w theriddle solved
Vl I ff CH O^^ M9mM8I 1 1 1 1 1 1 *.\U ^IIIIIhiI S^^kl ^^> Book glTM
"ll |k\jikl l^Hk KI'^H^KSb I t'A"^^^ M.'J 1 M 1 *1 k i T* P I Pr&ctlcaUdvioa
t;;. I #»Bm ^HV^ SS^^^SM .VBNBfl ^BIHIHnBMBHHBB and Knowledge
Wi^^W^m I^^B *^*^'^**^^*^^*^»*^^>^^^^ ' ^ »oalAhat desire
Good Behavior and Social Etiquette. ^B*£^^**iL
feet andOraceful In their Manners. There :s a Something In this Hook tha*
our Artist could not illustrate nor could we find words to express it. Were yot>
ever at a friendly gathering where everything seemed to go wrong- gueetaaL<
separated by a barrier of reserve— gloom" wttlmg down an the sv>ene. when aJi
at once a person enters who seems gifted with a spell, like that of the old Ma
firlans, the arloom disap;>ear8, the ice thaws and they all enjoy themselves
his Book tells that great 6ecret~how to so behave that your society will b*
courted and sought after by everv one. This is the wonderful power of Mar-
ners. It is worth to you more than l^eauty. True Politeness, as this Book teact
es It.wlll give you access to any family in America, and then you want nothing
»X) opportunity to become great. It is a charm better to possess than talent or wealth This Book err-
rnoeathe Usages and Customs of Good Society. Etiquette. Social Intercourse, Dress, Introduction, Cardt
«tten and Presents, Conversation, Morning Calls, Dinners, Balls, Fvenlng Parties, I.,ove, Courtshir
>.nd Marriage, Riding and Driving, the Promenade, Boating, St«>ing with Friends, etc Ittwacbes hov
'.J »3t InanT emergency, or enterany societv without enit>armssuient and how to avoid incorrect anc
t!*ar habits. In the Street, at Home, or in .'Society. It is a Perfect Guide to New Beginners in fauhionabl -
Kt: Parents should purcha-<e this Book and keep it where their Suns and Daughters can easily reftr t;
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. jn were bom In the backwoods Price 86 Cents, or Three for BO cts by mall
The Bright Pathway to Human LovelinesSr
In all ages History records Uie names of l;eautitul Men and v\ on,eE.
jneien of Troy fled from home for the handsome Paris, the hero of the
iTrujan Wars. Cleopatra's beauty turned the brains of Kings and Hulen
|likeCa>ser, Brutusand Antony, and so it has been down to the pre»en»
l-ra. Few persons really know how to improve their natural looks so a»
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Ithis wonderful Secret, all the Ancients ever knew, and all that bus beei
IdiHCOvered since It teaches how to so Improve the person in lovllnee*
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iKeal Secrets of clianging an ordinary looking person into Angelic lieaut*
[makes this Book of gr<»at value. Your Be»\ity is certain to decide you"'
iliestiny throMgh life. Nature doe? somethiiig forus, but theSocret Arte
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Ciies» ■>Price 26 Cents. ,
A BOOK THAT WILL LEAD YOU ON TO FAME.
Adaptedfo.
Hoth Sexe-
This if. th>
Best Lettt,
writer pu'
lish'dlnL
ropeorAi'
OR THE NEW ART OF POLITE CORRESPONDENCE. '^^fJl^'
: write a I.#tter on any subject out of the writer's own head, or to composr
a flrytclass intelligent Business Letter, or a Ix>ve I^etter, or a Friendly Le'.
t«-r. It gives as Sam pies hundreds of Letters of every kind, shows you hr, ^
to carry on a iong corres|Kindcnce with a lAdy or Gentleman— Letters thi»
never fall t<> penetr8t«< the Heart. Noother Book has this MYSTERY 0'
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ti«Tje*niount of information to be found in no other book. There are many young people who aregooc
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tff^^. i'itiers fromhome, and wonder why they cannot writB such letters in return, It is because you neec
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rM.« Is the Diamond Key that Unlocks the Door to the Heart)
lOR AN EASY
ROAD TO r
MARRIAGE.
How few people really understand the Mysttery of Love Making I Start Righx
and he Battle Is Half W on! Any person In love will find In this Book Strange Se-
i'.crets that no friend could teU them, and an EAST WAY TO MARRIAGE through
. Ix)ve'8 Intricate Pathway. It contains many Ancient Hidden SeereM that the
} Married should know. If a wife has a wayward husband, oris neglected, thit
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I the Way toWin is no longer a secret, and that failure to T»-ln the object of you'
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Jortaln. uproots old rotions, %ni reve*.'* sTsrythlng— !!no»*i je-'>».;>« »^«r 't a";cv'd ^••,t it s » sub--"-
THE MYSTERY o;
LOVE-MAKING SOLVED
. iei(,t rat IVUI« OtIERMINM MAI M IRSIIUii
H. TOONQ S QRUT
Book of 400 Secrets:
Or How to Make $10 a Day Without CapHal
OoWenWords to the Working Class— How to
Get Rich Without Capital is what this Book
"eacbee, and how to Start a Business that wUi
oay from tl!6to t&O a week, at home. Others
*re doing it, and you can be as successful as
:hey wni you Make the Etfortf Many, by fol
lowing the Directions in this Book, have accu
aiul;ited thousands, and established themselves i
for life. It is for Male or Female, Young or Old. i
■Jne Secret alone, with the privilege to use it, ^
-^ost us $260, Two others flUO eaeh. Three others l^
Ipdeach, and several of hers from $6 to $20 each.
You can devote evenings to the business If em
f loved daytimes. We give WO Jlethods to Make
lo.'K y Fast Three years ago, in the City of
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ae was told of the Book of Secreta. He sent for it, and from hk
3wn lips. In theauthor's place of business he said he made or•^
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. , ^ , _. ^ -- 1 been taught b;
..his Book. The process Is so e»isv and plain that none can go astraw
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:fai;!
_.^ ,. ... . inyTwoiHhera
■M\ ThW Page, Ail for 60 CenU, by mail, post paki
PR0F..6AR0N'S COMPLETE INSTRUCTOR
loi. require eoucauon or exT>eri<iice. II you are poor so much
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Price 25 Cents. You can have this Book, ana .\ny Two Oth<
GOCIETYnANCES
All the I'lguresof theiienuanand tveryNiw .md
FashionableWaltz, Round orSouare Dance knowc
bi Europe or America. The Author Is the moat cele-
brated Teacher of Dancing in America, and he lias
taade this Boek so Siraploand Plain that any child
can, by reading it, become an expert in l>ancing
jrithout the aid of a Teacher. No other Book on ,
Dancing will compare with this. All the I.atestand
Fashionable Dances are minutely di scribod by II
lustrated Figures from Life, Explaining Positions
In Round Dances, &c. and this Original Method
enables persons to leam theWalti by practicing it
a very few times, and you will have no dltWeulty
In acquiring it It gives the Histor y of Dancing,
Etiquette of the Ball Room, the Opening March*
March in Line, the Serpentine, the Arbor, tlie Pla-
toon and Column Marches, the Position in Quad
rillesorSquareDances, and Explaining theirMove ,
ments, the Variety (Quadrille, the (Quadrille .Star, . . ^^ . , ,
the<vuadrille Sociable, theWaltz Quadrille No.l and S, theNattoaax
Guard Quadrille, the Caledonians, the ,\'ew I'olo Quadrille tbs
lAncers. the Saratoga Lancers, the Waltz Lancers, the Fire Po*
tions in Kovmd Dances, the Modern WalUs, the New Social Walta
the Keiiowa, the Redowa Glissade, the Polka, the Polka Masoorks.
the Polka Redowa, the Bohemian Heal and Toe Polka, the Scbot
tlsche. THE GERMAN-lie Figures, giving the Names and T\i3k
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Of great value. I'rice 25 Cent* or Three copies for 60 Cents
THESTU DENT'S MANUAL
OF PHONIC SHORT HAND
WITHOUT A MASTER.
^V "V V , •! Complete Introduction to the Stenograpia.
f^^^'f" «'»^»»*«'1« Art, as used for Business Correspondemw
: V V '^" Verbatim Reporting. By E. B. BURNS.
'^ *" '"" O ~f Principal of N. Y. School of Pbonofrru^
f jr «'*-B Illustrated by Platee having Printed Keyi.
fa^V"*'*''^**'*''^^ «• lUuwd wholly upon a System that baa bees
\ / "\ -1^ rv .. reduced to every day practice. The Biga:
»«i»'^Y'" "^•— '"Via are all constructed on simple plans, and o*,e
J > L»_^ "^ {•» be r<ad easier tlian the plainest printed
*'•— "'•^'Ci.^-***~copy. Each sian indicates a sound. A bovai
1<J^I J ^^ s L^ » .,12, bvthismetnod. willleam Ina woekwiuk»
^j»H~ ■~"**1~'^* 1 would take an adult a year by the old way
ynlC^U<>-«»>:» X. Ilustrated with Numerous Examples Aac
"^ one can. in a short time, RerK>rt SonnoD
J 'HE LORD'S PRATER. Speeches.Trlals, etc. with easeandrapidttr
any Boys ana GirlB, from this Book alone, have become splendM
Reporters, and are now receivi ng from $1600 to $!U0O a year aa Ea
pert Stenographers. You can pt-rfect yourself In a short time, mt
that you will have a Life Occupation -one that always command*
high salaries, it is not a dilBcult study, it will l<e of Immense vahu
to any young man or woman. This w really the only Simple amt
Practical B<>ak on Shorthand published and it will be aprofltabk
Investment. Price 25 Cents or bound in Cloth. GUtJ | 00«
You can bare this Book, and any TWO OTH£R£ on TbiM or a-
Oroortte Pa8» All (or 60 Centa, post paid.
THE COMPLETE IRSTRDCTOR IR
tWliNMIRB.8YMRASTI6S PEDESTRIARISNI TRAIRIRt
F^Tplalnlng the Best Known Systeoi ai
TRAINING in the Manly Art of Self D»
fence, also Go-as-you-Please and Heal-
and-Toe Matches, Tables of the Best R*
corded Time down to a very late datSj
how to Swim without a Master, How tc
be an Expert Gymnast, THimbler antf
Trapeie Performer. Records of all Priab
FigDts of note for 26 years pa«t. Fasteai!
Time made tnr the leading Horses of tha
world. Sporting Records, Secrets requly
site tobecoHMagreat Pedestrian. 13iam^
' trations explaining the Principles aiMA
' Practice of the school of Sparring, tlic>
means of Attack and Defence,Wre«ttior
and TralnlngAttacks, Gymnastic Exercises, etc The Lessons ai«
so simple that by practicing the Rules one may atbiln the ntiuii^
perfection In Sparring, Swimming, Oymnasocs, PedestrtanliM
Trapese, Bowing, Boat and Horse Racing, etc. It la a Perfetst Br
Tyclopndla of Sporting matters, and la highly nrtaed aa a Book' ««-
•li»*«»«T.-v« "Hlo* 9S e«nto' '^''t\mf nr^tM «"»!• !>•
Address all Orders direct to WEHMAN BROS., 126 Park Row, N. Y.
«l«k«*tBC Kvm.— Dr. L. S. BToam.
Dnmuners' Yams.
Fourth O^fiaiat
Crop. *• '"^^-
••« Morit^
^orUncgwtMl to hli Tlrtd ImtlntUon, It li e
flkUj Mowad sway la hUiiMinory grip, to b« brought oat tnah and
Sparkllns for tha delecUtloo 0/ hi* Au>-IaTln( aatoclatab Tha
ftanny-man of tha aUg* U " not to U " with tha " EclRht of tha
Orlp." taat yaar'a chestnota don't (O wlih tha Drummer.
Ba aaa ipva to tha and-moa In • llinitrel ihow tha bis aad tha
Uttla Caalao and b«at him nInatMn potnU In twentj-ona. Tha
Drummer who cannot UU a I7o w Funny Story opon tha tUghw
•MproTocatkmhasDoitandlsglnthaOulId. Throw two or DMra of
tbasi tcc«(h«r In tha •moklng defiartmect of a Pxillman car. and tha
aehaoga of Witty Yams la aa certain aa d*7 afUr alghL Tha
'grinning porlar (mgaU hi* tip, and tha haa(77 lUtasar hiadlnnar.
Saeh la tn duly bonnd to larpaaa tha other, and whan onea ctartad la
kla Htvoiite diversion, aoihlng wUl itop a alory-talllng Drum ■
' bol a atroke of lightning or an order. H£££ TH£7
El TkaverjlateatandfksahataDdwlttlait. Caoghtootta
(y by «aa of tha fraternity, who Uknawn from Malnato Callfomla.
I ftinny yama and laoghabU picturra wUl not aat a brokaa
,nor piotael jrua a^Klnat fir«, bat they will cur* moat of tha Ilia
'thai vWi aoflwlag homaolty. Th en laugh and grow fat t Tha
Biany fanny aagraTlnga ara mada to fit tha Yaraa, and aoma of then
voold mafca a horaa laugh. Thia giaat book eontalna 112 lar^
9^ai,iia*1slOlBch«ikwlllihaB<liaaMeonr. rrieaMeta,,goib-(ali.
• 5PRECHEN Sit DtU^.iCH-- '
GERMANa^GLANCE
AAlew s)^tem on the most simpla principles,
lor oiriversal self-tuition, with English proauiu
dstion of every word. 96 pages, 20 ctl..
■ i'ARLEZ-VOU!: FK ^N'./^!V ■■ •
FRENCH--GLANCE
By thi» system any person can become pro-
ficient in the French languasje in a very snort
time. It is the most complete and easy method
•wr pnblisbed. 96 pages. 25 CtS.
• HA-BLA V. ESPANCl ■
SPANISH'^^.CLANCt
This is the easiest method of acqtiiring m
Iboroagh knowledge of the Spanish Language
•ver published. 06 pages. Price, 25o.
ITALiANATAGLANDE
A new method of acqtiirinK • thorough know-
ledge of tbe Italian laOgUagO. 96 pages. Price,
25c«ats,
Inidder Gardner's Stump Speech-
es, Comic Lectures, and Negro
(Sermons,
Containing the beat
hits of the KtgTo d»
lineatorsof the pres-
ent day, SO of the en oat
Mnaetag and aide
■pttttlug contrlbn-
tioofl of oratorical
effuttoDg as delivered
by Hughy Dougherty
A'.d Ryman, O'S
Williams, Charley
Vr'hito, and other
burlpsque oratom.
Theie la not a man
or woman, boy or girl
of reading vea's In
thpse t'DllPd States
'Who has not hoard
of " lirudrter Oard-
ner," and who has not
•njoyed hia speeches to hU "Bru den n" and " Sls-
tfm'* and " Frens," as ttiiy have been copied occa-
? tonally t>y the ncwspapera. Here thfy are- and more
Ikethem the nnrvsi pirfect Bprclmer.a of Negro dla-
ectaD<lphlloiinphylnalhftTeever»»rpn printed. The
dialect and i)hrawrt»»>Ky ar« InhnltaWy funny; they
■Blntlllate with w;t Nmi Is aenulm-. orl«?lnR], anfl
i» satire that hits the
MMM^A. squarely, hu'l to eood nalnrotlly and In racb
roDtcklng Koed I'CmMr ifeoteven the people held up
vnlqw
mark I
WonUdtlngitootfl.BTna* ttoat even the peof
tortdlcuiemuRt tpla In Mie lough. The perHon who
canreadXhe •• vmrmone^efice,'"' Harpof aThou-
•andCtflngs," " U*wde>»orl Pale Ctot Lo«t," or any
other ai^i-vh la tbi» coftecUon vrtttMOt enjoying a
toearty laueh shouM send tot tbe doctor at once. IM
pigea I'noe Si5 (;eiua> *
Burden's Dutch Dialect Recita-^
tions and Humorous Readings:
Some of tbe heat hltfl
now made on tbe stage
arp by actors who can
pl.iy I ho parts o? comi-
cal •Dutchmen" In tha
'soKMlled "Dutch Dia-
lect." Oofty Gooft,
Ons Wnilams, and J. 8.
Ilurdett have national
repatatlons 1 u this
line. Others
like Carl I'ret-
lel, Cbarles O.
Lcland (Hans
Breltmsn),
Charles K. Ad-
ams, Wade
AS hljiplp. and
M. Quad have
become qtxlte
as famous aa
writers of
pieces In vemo
and prose, that
enable the fun-
ny men of the
stage to win
applause and
dollars. This
book contains
the very best
that has been
written or spoken,
the most available
scloetlons for ama-
tctira or profession-
als that .Mr. Bur-
drtt can And, In-
cluding "netaysnd
I Hale Bust Cb,"
*• Dtr Mule Shtood
on der Btesmbosd Peck " and others of Ms own i
•• Dot Lambs vol Msrv llsf (iot," " I'er NIghd Pehind
Grliidmas •• "l»ot Shly i^e<llo Raskel " "Oo Vsy,
Becky MtUer, Go Vay,- • .Mygel tinyrter's Barty.'*
and scores ufotuer Old and uuwtayorltes, 3dCU4
The Elite Letter-Writer
FOR UDIES AND GENTLEMEN.
This Is not the only LfttrrTPrit^
DUbUHbed, but It Is the only one we
Know of tnatcontaliis model letters
for all tho occa«l'>m of So. lal Ufa
and for all the ordinary occasions
Of Business life. The specimens
Biven are roilly models In every le-
spect— In addre's. In phraseology,
and slguaturo. as well as In the use
of capItaU and punctuation -mnrks.
There ore lovoleiters nnd Uttc r»of
favor; letters of Intro uctlon, con-
crratulatlon, and advice ; Invita-
tions, socertances, regrets, and ex-
runes; letters to accompany pres-
ent»-In fhort,lettcrjof sll*ort>- to
all sorts <f people. Follow these
models snd you c annot go wrong.
More than this, the book gives rules
for spelling and punctuatlnn. the
poeUi laws, a dictionary of abbre-
vlatlona, and the Latin. French,
Fpanlsh, and Italian words and
f>hrases tha: may l>e us'U eftect-
vely hj writers in 1- nKllnh.
aiuUum in iuno Jita the boom *x-
Octlv
Containing 140 pagea, baDdsome
oever, filce St3 C*at**
Casey's Recitations, Humorous
* Stories, and Comic Songs. ♦
When we ssy
that this Is tbe
best collec-
tion of Its
kind that has
ever been of-
fertd to the
public, we are
not asserting
merely our
own opinlcn,
tut we are
giving the
Judgment of
the most fam-
ous and popu-
lar elocution-
Istsnow upon
tbe Btsge or nlatform. It needs but a glarce at
the rontent-s to convince any one of Its worth :
"Brother BUI," by George Thatrher; "The Clown's
Baiy." by Margaret Vandegrlft ; "The Ca.je Bot-
- • --■ • ■ ^- -^ • -Ybe Death Ked of
Tr
I
Flelii ; '•How we Fought the Fire." by ^I'l Carleton ;
•* The Old Actor's Story," by 81ms : " Brother i iardner
on Liars": "The Drummer's Bride"; "Paddy's La-
ment "—these ore but samples of the patho» and hu-
mor contained In the book- The Comic rongs In-
clude " I>rMl,ye Tarrlera, Drill ! " and " Twas Dooley
Raised the I- Ight," both by Mr. Caacy, tbe comDiler,
and others that have become popular from the ▲ilas-
tlc to the Pa^flo. 176 pages- Price 3*5 Centa*
Hitter's BoflrofBliiclfrria^
jatea—ly Faany. Filled with' DroIIestTHuie^
ASparkllng with Witty Satire.*
Contains" fonrteciB
origlbal, Courq
Scenes,- speclallyl
adapted to the cal
pacltles and needd
of amateur Actors/
but good enoiigh for
profesaloDalsTThose
who are fond of Im-
personating odd
characters w^lll find
hereabundsnt scope
forthelrtalcnts. Tne
witty Irishman, tha
cunning Jew, thai
coinlcJiT Kegro, the'
BtoUdChtnainan.tbe'
tittering Maiden. the
sisngy Girl, are all!
among the cbarao-{
ters. as well aa the
pompous Judge, the
stupid Witness, and,
the smart l-awycrT]
'1 he plays are short,'
but they suggest im-|
niense poskiblllileB
for eztenf-lon by the
Inrroducilon of local,
hits and even new.
chsrscters. They will furnish amusement for a
whole winter, and Indeed /or mnny winters. No
Burh collection of Mock 1 i;tals h;i» ever before been
made, and each of these Is a gem in llterarv conV
structlon. In Uughable situations. In peculiar chara&i
ti rs and dialect. Any young man or woman of aver-J
age ability can makeup for the characters and play
the parts. 160 psges. Price UH Centa. -^
,rauSo^5Pf!^'o°«-W
This is the only book c on\
taining Napoleon's oraculum
complete, giving answers to
thirty-six questions. This is
the best fortune-teller ever
pubhshed. It contains aU
that was ever made known
by Madam Le-Normand, fortune-teller to
the great Napoleon Bonaparte. Art of telling
fortunes by the lines of the hand. It contains
a complete Dictionary of dreams by which
you can easily interpret any dream. Con-
taining 200 pages 26 ceat*.
Burdett's Patriotic Recitations
and Readings.— This worh
contains 64 American PatriotI*
•elections in prose and poetry, e&
pressly aJapted for public or pariot
recitations. Comprising the best
•elections of soul-stirrinf patriotJa
orations and apeechee published.
Illustrated cover. Priceh . - •«« cent*
Wilson's Modern Dances.
A Full and Complete Exposition tf all tbf
Newaet and Popular Danoea..,
with the fullest and most explicit dIrectfona,fniS
trated by diagrams of tbe figures and bars of mosloj
showing the limes and the movements. It eontalna
also full Instruction as to all that It required for
Balls, ^oclsbles, Parties, etc. ; how to make tbe ar-
rangements; the responsibilities and duties of offi-
cers anil committees; tbe rules of conduct andetU
Quette : in short, all (hat the managers of or partlcW
pants in a dance need to know. By stndnng ita
plalnly-wrlrten pages the getttteman not only easily
lesms the rudhnenXal positions and morements, bat
be galas that entire msstary of all the etlqtwttc of
fashionable da^ng reunloas tnot quallfles ninsto
prompt snd stfroltky led hti fafr partner la ail the
advances, retirlnrs, swingings, aad balances, wklle
the tacy learns from this book bow to araeefnlly
yl'ld to thorlghtest hint and gentlest inouon of bet
Skilled partner. Jt 1 'XRnccriNSTBUCTOB.fTlceJiftcta*
Send all Orders direct to W£HMAN BROSa, 126 Park Row, New York.
Any of the following Plays sent, post-paid, on receipt of
FIFTUEN CENTS each, except where otherwise stated.
APRIL FOOLS. A farce in 1 act, for 3 male characters, by W. F. Chap-
man. Time, BO minutes. For a half ho>ir of roaring fun this farce has
few equ^ils. It is brisk, bright and full of funny situations, and the char-
acters are exceedingly well contrasted. Each imagining that the others
are foohsh, crazy or drunk, misunderstandings follow one another in
rapid succession luitil, when everything is in a hopeless tangle, it is dis-
covery that all three are the victims of a practical joker who has made
" April Fools " of them. No scenery reqmred.
BACHELOR'S BEDROOM; or two in the morntno. A farce In 1 act,
by Clias. Matthews, as played at Burton's Theatre, N. Y. 2 male charac-
ters. Time 40 minutes. Hhows the inconveniences that arise from in-
viting a crank to share your bedroom at 2 A. M.
It ' ACK MAIL. A farce in 1 act, for 3 darkey comedians. Interior
Bcene, or nu scene at all. Time, about half an hour. A musical doctor,
a youth whose valentines and love lett<;r8 get jiini into scrapes, and a
colored gentleman very much " on the make," will create a great deal of
laughter with their coiuicaUties. Admits of specialties, and is very funny.
DE DARKEY TRAGEDIAN. An Ethiopian sketch in 1 scene, for 2 black
face comedians. Plays about 10 minutes. Mr. Brown, a manager, sends
for Mr. Forest, a tragedian, who throws himself into attitudes and gives
various burlestjue specimens of tragic acting. Taking when well done.
>OARKEY WOOD-DEALER. A farce in 1 act, by Chas. Townsend. 2
males, 1 female. Time, 20 minutes. Each character is first class. The
Wood-dealer is one of the best negro characters on the stage. The Deacon
is a highly amusing old man, and Mrs. Deacon (tliis part may be played
by a young man ) a tremendous hit as a " strong minded " female. This
farce is certain to keep the audience in a roar, and has proved a sure hit
as played under its author's management.
DEACON, THE (25 cents.) A comedy drama in 5 acts, by Horace C.
Dale. 0 male, C female characters, viz. : — eccentric comedy, old man, gen-
teel villian, juvenile lead, negro comedian, country boy, 2 general util-
ity men, eccentric old maid, 1st and 2nd walking ladii^, character lady,
Boubrette and juvenile character. Time, 2^^ hours. A play of the Alvin
Joslyn type, easily staged, so that it can be played in any hall. Abounds
in humorous incidents and ludicrous situations, and has a great deal of
taking farcial " business." All the characters are life-like and striking,
and tnere are live first rate comedy parts. "Pete "is immense, and
' The Deacon " keeps the audience convulsed every moment he is on the
stage. This play has met witli phenomenal success under its author's
direction, and is recommended to all in need of mirthful comedy -drama.
^DEAF IN A HORN. A Negro farce in 1 act, for 2 black comedians-
bones and baiijoist. Plays about 10 minut<;s. Admits of introduction of
various specialties and a great deal of comical " business" with an ear
trumpet.
DUTCHMAN IN IRELAND. A farce in 1 act. 3 male characters-
Dutchman, genteel Irishman and Irish p<;a.sant disguised as an old
woman. Playi room scene. Time, 20 minutes. Major Mansfelt buys an
Irisli estate on which he is not wanted. Two of his new neighbors dis-
guise themselves and give him so warm a reception that he is glad to es-
cape with his life, and abandons all idea of being a lauded proprietor.
No scenery required.
HELMER'S ACTORS' MAKE-UP BOOK. (25 cents.) A complete and
systematic guide to the art of " Making up " for the stage, by N. Helmer.
With spe<'ial chapters on- theatrical wigs and beards; the make-up and
its requisites; the different features and their treatment; typical char-
acter masks, etc. With spetual hints to ladies. Designed for the use of
profession-il and amatt:ur actors and actresses. Illustrated. The most
accurate and practical make-up manual ever pubUshed — goes ahead of
all others. It is a jx^rfect encyclopedia of a branch of knowledge essen-
tial to the real succt-ss of all players ; and many old actors may glean
from a perusal of it, something they didn't know before.
WANTED, A CONFIDENTIAL CLERK. Afarcein 1 act, by W. F. Chap-
man. 6 male characters, viz, : eccentric merchant with a weakness for
proverbs, comic Irishman, " dude," talkative " sport," shabby genteel
" bummer " and the clerk who gets the situation. A capital farce with
scoi>e for easy character-acting, full of ridiculous situations, racy dialo-
gue, comical " business " and spiritetl action. Shows a merchant's difli-
culty in .securing a .satisfactory clerk, and creates unlimited merriment.
Time, ao minutes. No scenery required.
WRONG BOTTLE. A temperance 8ket<;h in 1 scene, by McDermott
and Trumble. 2 male cliaracters. Time, 20 minutes. Larry McGinnis
18 very frisky and the profe.ssor very abs«^nt-minded. Larry helps him-
self from the wrong bottle, and nearly loses his life and his situation in
3on9e«juence. But by a lucky chance he pulls through, takes the pro-
fessor 8 advice and reforms. The characters are good, dialogue and
' business " funny, and the moral pointed.
UNCLE TOM'S CABIN (Original Version.) A drama in 6 acts, drama-
tized trom Mrs. Harint B.-i-eiier Stowe's famous novel, by Geo. L. Aiken.
15 male, ti female characters. Timts alK>ut a hours. "This is the original
3 act version which has been played thousands of times.
OLO CRONIES. A comedietta in 1 act, for 2 male characters, by S.
Theyre Smith. Time, JO minutes. A clever little play in which two
comedians can furnish a half hour of rollicking fun. The mild-manner-
ed old gentleman is in happy ctmtrast with the bluff, gruff and noisy old
gentleman. Both are supremely funny, and their awkward attempt to
write a joint stock love lett**r is one of the richest bits of humor ever
presented. No scenery required.
A MANAGER'S TRIALS. Farce in 1 act. 9 male characters. Plays 30
minutes. This piece is rich in oi)port unities for easy but eflFective char-
acter-acting for lx)ys or young men. The manager, his darkey servant,
a "dude," a "tough," a stage-struck Dntcliman, a crusln^sd tragedian,
and the others can make an audience of mummies laugh for half an hour.
FREEZING A MOTHER-IN-LAW. Farce in 1 act. 3 males, 2 females.
Plays 45 minutes. CJives clialu-es for g<KHl acting all around, vrixh hu-
morous dialogm- and uncommonly droll incidents. There is not an ob-
jection»"ble line in it. Will fetch continous shouts of laughter.
FURNISHED APARTMENTS. A farce in 1 act. 5 male characters.
Plain ro«jm scene or no s<'ene at all. Time, 50 minutes. Dr. Planus lets
his suit of rooms to Mr. Thoinpscm, not knowing that they have already
been let by his assistant to Mr. Smith. Both lodgers arriving to take
possession at the same hour, a laughable scene ensues.
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MY AWFUL DAD. Comedy in 8 acts. 9 males, 8 females. Time Shomfc.
The comical scrapes into which the frisky "dad" plunges his stniV
laced son, keep the audience in a roar from beginning to end.
JOSIAH'S COURTSHIP. (25 cents.) A farcical oomedv-drama in four
acts. T male, 4 female charact^-r, viz. : Eccentric old man, comedv load,
genteel heavy, detective, newsboy. Irishman, darkev com«iv, comic old
maid, leading comedy lady, walking lady and flirtirigsoubrette. Time,
2 hours. This play resembles the same author's "The Deacon." Re-
quiring but httle scenery. The act-endings are jwirticularly good, cre-
ating uprorious merriment and insuring curtain calls. Every club that
has produced " The Deacon " wants " Josiah's Courtship."
A HOLY TERROR. A farce in 1 act. 4 male characters— either whit«
or black face. Plain room scene or no sc»'ne at all. Costumes to suit.
Plays 30 minutes. Specialties can be introcuced according to conven-
ience and talent. The piece will make an audience laugh till they're tired.
NIGGER NIGHT SCHOOL. A farce in 1 act. 6 male charact<>rs. A
funny skit full of comic biusiness and darkey jokes that will fetch shouts
of laughter. Admits of suecialties and riuis 30 minutes. No scenery re-
quired, a desk and a bencn being the only essentials.
THAT RASCAL PAT. Farce in 1 act. 3 males, 2 females. Has a first
rat*? Irish character whose varying drolleries, impudence "tnd blunder-
ing in trying to .serve two masters at once, convulse the audience with
explosive mirth. Time 50 minut*js. No scenery required.
BETSEY BAKER. Farce in 1 act. 2 males, 2 females. Plavs 45 min
ntes. Parlor scene. Uprorious laught<'r straight through. a\1 the char-
acters are good, that of Betsey Baker being one of the best comedy part^
known to the stage.
WHAT'S rJEXT? (25 cents.) Comedy-drama in 3 acts. 7 malew, 4 fe
males. Time 2V^ hours. If desired, a lot of children can be work<Hi into
the first act. which is a school-room st^ene. Admits of the intrcxluction
of snecialties. Polly Ann Poke, a leading country girl part, is immense.
Willy Nilly , a " dude," Timothy from Texas, Phines, one of the deestrict
skule board. Moses Madder, with a great head for biusimiss; Chub, who
takes what turns up ; Mary Ann Fogarty and an Irish p<)liceman— these
and the remaining chara<ters will elicit constant .sh<mts of laughter
straight through the 3 acts. Audience giggle over this play for a month
A DARK NOIGHT'S BUSINESS. An Irish farce in 1 act. 3 males I
female. Kitchen scene. Time, 25 minut**. Achapwid ti>i(jht pants an"
a piccatlilly collar gets into the wrong hous«' by mistake, which makes
such an uproar that if it hadn't Ix^en for Mary Ann Casey there's no
knowing what might have happi-ned. A funny afterpiece, sure to bring
down the house.
SHE WOULD BE A WIDOW; or. BUTTERNUT'S BRIDE. (25oents.t
An original farce-comedy with a plot, in 3 acts. For laughing purposes
only. 11 male, 0 female chrracters (can l>e ulaved by 7 gt-ntlemen and
4 ladies*. Time, 2^2 hours. The leading male c"hara<"t«-rs, an old plum-
ber and a good-for-nothing dcK-ter, offer uncommon opi>ort unities for 2
comedians; the remaining male i>arts will yield liarreLs of fun i luidep-
taker, burglar, speculator, member of the Legislature, <'tc. i The ladies
cliaracters, vivacioiLS society girl, sprightly young widow, comic old
woman, rollickiiig soubrette, irate Irisliwoman and frothy French dame
are all first ratd, but none of them difficult.
DOT QUIET LODGINGS. A sketch in 1 scene^ 5 maU-s, 1 lemate. Plait
riMjin .scene. Time, 20 minutes. Peter Schlageiihauffeii, who keeps a
hxlging tiouse, gets more trouble than rent. Aft<'r l>'iiig stu<-k iiy a
dude lodger and having a sc:rap witli liis Iri.sh tenants, he is rtaicued fr«jjr
his woes by the poUce. A roaring afterpiece.
DOT MADRIMONIAL ADVERTISEMENT. A sketch in 1 act. 5 nu <es
1 female — the female part mav be playe<l by a man. Plain room see «
Time, 25 minutes. Mr. Ciruntley advertis«-s for a coachman ; his Duteh
liousemaid advertises for a liusband. He gets on<? reply — .she g<'ts many
replies. When he returns honu; from bu-siness, the place looks as thougn
it had been struck by UgHtning. Funny all through.
16000 YEARS AGO. A negro farce in 1 act. 3 male characters— alJ
black faces. Play alxnit 15 niiiiiites. funny incidents follow one another
so last that tn»; amlitors will fall out of their scats with laughter, if thfc
piece is rapidJy played. No scenery required.
HARVEST STORM. A drama in 1 act. 10 male charact^'rs. Time. 40
minutt's. Landscape scene. Tile story of a bank clerk falselv (uvu.si'd
of embezzUnu-nt, and liis final e.xculpaticm is set fortli with lin:h dra
matic eff«H:!t and unflagging interest. The comic element is furnishi'd
by Samuel Lexicon, the conniiler of anew dictionary, who gits off a
uumlxjr of eccentric witticisms. Easy to play, and requires no scenery.
PERSECUTED DUTCHMAN; or, the orioinai. .john srnMinr. Farce
in 1 act. t) male, a female characters. Time, ijO minutes. Audieliceg
never tire of tliis farce. Shouts of laughter greet the indescrilwblv fun-
ny predicaments of a Dutch commercial traveller who stops at a"hotol
ROUGH DIAMOND, ^arce in 1 act. 4 male, 3 female charact.<-r.s. Par
lor st'( ne. Modern costu. lies. TiiiK-, 40 minutes. In tliis farce, the c<»n
trast iM'tween a countiv bumpkin and his fashi<«nal>le city eousin is
laughable in the extreme wliile dialogue and situations are funny
straight through. Ea.sy to ulay It is also calUxi, " Cou.sin Joe s Visit.
DE TROUBLE BEGINS AT NINE. A negro farce in 1 act. T^vo male
cometliaiis. Funny all rhrou(;h, and admits of the intrchluction of var
ious siKH'ialties. There is a comical music les.son incident which will
make the audience fairly scream. No scenery required. Plays 20 minutea
TURN HIM OUT. Farce in 1 act. 8 male, 2 female characters. Plays
45 minutes. No scenery re<iTiired. Ni<'odemus Nobbs is •♦i;)loy<'d to
turn a too attentive dude out of the house, but g<?ts hold of tin* pfoprie
tor by mistake. The situation gives rise to any quantity of roaring f ua.
DEACON'S TRIBULATIONS. A com«»dy-drama in four acts. 8 male, 4
female cliaracters. Time 2 hours. This is a worthy su<-ces.sor to the
ever popular " Deacon," in wliich the old favorit<'s reai)j>ear amid new
surroundiniTs. all of them a little f>lder, some of them very much mar
ried. The bu.siness is just as forcible, the situations just "as laughable
and the act-entlings just as uj)roarious as they are in the older play
Pete is ut) to all his old, an<l . ome new tricks; Daisy is made happy for-
ever, and The Dea<-on is fina^yaud complet'tly cured of fondness for
lemonade with a stick in it.
AN IRISH ENGAGEMENT A farce in 1 act. 4 male, 2 female chai^
acters. Plain nx.ni .scene Time, 45 minut<'S. Lively and laughable,
with a first rate Irishman wro makes a great deal of fun.
HAUNTED HOUSE. A N. Tro farce in 1 act. 2 male charact-ers fland
lord and whitewasher) and -everal ghosts. Plain interior scene. Time*
about 15 minuter. Pete Jf)hnson tries a httle spirit rapping and is scared
nearly out of his wits in consequence.
SEND ALL ORDESS LISECT TO WEHMAN BEOS., 126 PARK RO^
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